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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country from June 2023 onwards; and since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 Kapoor Khan in 2023 Kareena Kapoor Khan (pronounced [kəˈriːna kəˈpuːr xɑːn]; née Kapoor; born 21 September 1980) is an Indian actress. A prolific leading lady of Hindi cinema since 2000, she is noted for her roles in a range of film genres—from romantic comedies to crime dramas. Kapoor is the recipient of several awards, including six Filmfare Awards, and as of 2024, is one of Hindi cinema's highest-paid actresses. Born into the Kapoor family, she is the daughter of actors Babita and Randhir Kapoor, and the younger sister of actress Karisma Kapoor. After making her acting debut in 2000 in Refugee, Kapoor established herself the following year with several roles, including in the top-grossing drama Kabhi Khushi Kabhie Gham.... This was followed by a series of commercial failures and negative reviews for her repetitive roles. An against-type performance as a sex worker in the 2004 drama Chameli marked a turning point in her career. She earned critical recognition for her portrayal of a riot victim in the 2004 drama Dev and a character based on Desdemona in the 2006 crime film Omkara. Her performance as a loquacious woman in the romantic comedy Jab We Met (2007) earned her the Filmfare Award for Best Actress. (Full article...)

    Kapoor Khan in 2023

    Kareena Kapoor Khan (pronounced [kəˈriːna kəˈpuːr xɑːn]; née Kapoor; born 21 September 1980) is an Indian actress. A prolific leading lady of Hindi cinema since 2000, she is noted for her roles in a range of film genres—from romantic comedies to crime dramas. Kapoor is the recipient of several awards, including six Filmfare Awards, and as of 2024, is one of Hindi cinema's highest-paid actresses.

    Born into the Kapoor family, she is the daughter of actors Babita and Randhir Kapoor, and the younger sister of actress Karisma Kapoor. After making her acting debut in 2000 in Refugee, Kapoor established herself the following year with several roles, including in the top-grossing drama Kabhi Khushi Kabhie Gham.... This was followed by a series of commercial failures and negative reviews for her repetitive roles. An against-type performance as a sex worker in the 2004 drama Chameli marked a turning point in her career. She earned critical recognition for her portrayal of a riot victim in the 2004 drama Dev and a character based on Desdemona in the 2006 crime film Omkara. Her performance as a loquacious woman in the romantic comedy Jab We Met (2007) earned her the Filmfare Award for Best Actress. (Full article...)
  • Image 2 Roshan in 2016 Hrithik Roshan (Hindi: [ˈɾɪt̪ɪk ɾoːʃən]; born 10 January 1974) is an Indian actor who works in Hindi cinema. He has portrayed a variety of characters and is known for his dancing skills. One of the highest-paid actors in India, he has won many awards, including six Filmfare Awards, of which four were for Best Actor. Starting from 2012, he has appeared in Forbes India's Celebrity 100 several times based on his income and popularity. Roshan has frequently collaborated with his father, Rakesh Roshan. He made brief appearances as a child actor in several films in the 1980s and later worked as an assistant director on four of his father's films. His first leading role was in the box-office success Kaho Naa... Pyaar Hai (2000), for which he received several awards. Performances in the 2000 terrorism drama Fiza and the 2001 ensemble family drama Kabhi Khushi Kabhie Gham... consolidated his reputation but were followed by several poorly received films. (Full article...)

    Roshan in 2016

    Hrithik Roshan (Hindi: [ˈɾɪt̪ɪk ɾoːʃən]; born 10 January 1974) is an Indian actor who works in Hindi cinema. He has portrayed a variety of characters and is known for his dancing skills. One of the highest-paid actors in India, he has won many awards, including six Filmfare Awards, of which four were for Best Actor. Starting from 2012, he has appeared in Forbes India's Celebrity 100 several times based on his income and popularity.

    Roshan has frequently collaborated with his father, Rakesh Roshan. He made brief appearances as a child actor in several films in the 1980s and later worked as an assistant director on four of his father's films. His first leading role was in the box-office success Kaho Naa... Pyaar Hai (2000), for which he received several awards. Performances in the 2000 terrorism drama Fiza and the 2001 ensemble family drama Kabhi Khushi Kabhie Gham... consolidated his reputation but were followed by several poorly received films. (Full article...)
  • Image 3 Keechaka Vadham (transl. The Extermination of Keechaka) is an Indian silent film produced, directed, filmed and edited by R. Nataraja Mudaliar. The first film to have been made in South India, it was shot in five weeks at Nataraja Mudaliar's production house, India Film Company. As the members of the cast were Tamils, Keechaka Vadham is considered to be the first Tamil film. No print of it is known to have survived, making it a lost film. The screenplay, written by C. Rangavadivelu, is based on an episode from the Virata Parva segment of the Hindu epic Mahabharata, focusing on Keechaka's attempts to woo Draupadi. The film stars Raju Mudaliar and Jeevarathnam as the central characters. (Full article...)
    Keechaka Vadham (transl. The Extermination of Keechaka) is an Indian silent film produced, directed, filmed and edited by R. Nataraja Mudaliar. The first film to have been made in South India, it was shot in five weeks at Nataraja Mudaliar's production house, India Film Company. As the members of the cast were Tamils, Keechaka Vadham is considered to be the first Tamil film. No print of it is known to have survived, making it a lost film.

    The screenplay, written by C. Rangavadivelu, is based on an episode from the Virata Parva segment of the Hindu epic Mahabharata, focusing on Keechaka's attempts to woo Draupadi. The film stars Raju Mudaliar and Jeevarathnam as the central characters. (Full article...)
  • Image 4 Core area of Western Chalukya architectural activity in modern Karnataka state, India Western Chalukya architecture, also known as Kalyani Chalukya or Later Chalukya architecture and broadly classified under the Vesara Style, is the distinctive style of ornamented architecture that evolved during the rule of the Western Chalukya Empire in the Tungabhadra region of modern central Karnataka, India, during the 11th and 12th centuries. Western Chalukyan political influence was at its peak in the Deccan Plateau during this period. The centre of cultural and temple-building activity lay in the Tungabhadra region, where large medieval workshops built numerous monuments. These monuments, regional variants of pre-existing dravida (South Indian) temples, form a climax to the wider regional temple architecture tradition called Vesara or Karnata dravida. Temples of all sizes built by the Chalukyan architects during this era remain today as examples of the architectural style. Most notable of the many buildings dating from this period are the Mahadeva Temple at Itagi in the Koppal district, the Kasivisvesvara Temple at Lakkundi in the Gadag district, the Mallikarjuna Temple at Kuruvatti in the Bellary district and the Kallesvara Temple at Bagali in the Davangere district. Other monuments notable for their craftsmanship include the Kaitabheshvara Temple in Kubatur and Kedareshvara Temple in Balligavi, both in the Shimoga district, the Siddhesvara Temple at Haveri in the Haveri district, the Amrtesvara Temple at Annigeri in the Dharwad district, the Sarasvati Temple in Gadag, and the Dodda Basappa Temple at Dambal, both in the Gadag district. (Full article...)
    Core area of Western Chalukya architectural activity in modern Karnataka state, India

    Western Chalukya architecture, also known as Kalyani Chalukya or Later Chalukya architecture and broadly classified under the Vesara Style, is the distinctive style of ornamented architecture that evolved during the rule of the Western Chalukya Empire in the Tungabhadra region of modern central Karnataka, India, during the 11th and 12th centuries. Western Chalukyan political influence was at its peak in the Deccan Plateau during this period. The centre of cultural and temple-building activity lay in the Tungabhadra region, where large medieval workshops built numerous monuments. These monuments, regional variants of pre-existing dravida (South Indian) temples, form a climax to the wider regional temple architecture tradition called Vesara or Karnata dravida. Temples of all sizes built by the Chalukyan architects during this era remain today as examples of the architectural style.

    Most notable of the many buildings dating from this period are the Mahadeva Temple at Itagi in the Koppal district, the Kasivisvesvara Temple at Lakkundi in the Gadag district, the Mallikarjuna Temple at Kuruvatti in the Bellary district and the Kallesvara Temple at Bagali in the Davangere district. Other monuments notable for their craftsmanship include the Kaitabheshvara Temple in Kubatur and Kedareshvara Temple in Balligavi, both in the Shimoga district, the Siddhesvara Temple at Haveri in the Haveri district, the Amrtesvara Temple at Annigeri in the Dharwad district, the Sarasvati Temple in Gadag, and the Dodda Basappa Temple at Dambal, both in the Gadag district. (Full article...)
  • Image 5 Loev (pronounced love) is a 2015 Indian romantic drama film written and directed by Sudhanshu Saria. It stars Dhruv Ganesh and Shiv Panditt as two friends who set off to the Western Ghats for a weekend trip and focuses on their complex emotional and sexual relationship. It was Ganesh's final film, as he died from tuberculosis before its release. Loev also features Siddharth Menon and Rishabh Chaddha in supporting roles. The film's title is a deliberate misspelling of the word "love". Saria wrote Loev's script while he was working on the draft of the unreleased film I Am Here and drew heavily from his personal experiences. It was eventually picked up for production by Arfi Lamba and Katherine Suckale despite Saria's own doubts on its viability. Principal photography took place at Mahabaleshwar, in the Western Ghats in peninsular India, and at Mumbai. The film was shot in the summer of 2014 over the course of sixteen days by the cinematographer Sherri Kauk in 2K resolution. It relied on crowdfunding and cost-cutting measures; its budget was relatively low at US$1 million. (Full article...)
    Loev (pronounced love) is a 2015 Indian romantic drama film written and directed by Sudhanshu Saria. It stars Dhruv Ganesh and Shiv Panditt as two friends who set off to the Western Ghats for a weekend trip and focuses on their complex emotional and sexual relationship. It was Ganesh's final film, as he died from tuberculosis before its release. Loev also features Siddharth Menon and Rishabh Chaddha in supporting roles. The film's title is a deliberate misspelling of the word "love".

    Saria wrote Loev's script while he was working on the draft of the unreleased film I Am Here and drew heavily from his personal experiences. It was eventually picked up for production by Arfi Lamba and Katherine Suckale despite Saria's own doubts on its viability. Principal photography took place at Mahabaleshwar, in the Western Ghats in peninsular India, and at Mumbai. The film was shot in the summer of 2014 over the course of sixteen days by the cinematographer Sherri Kauk in 2K resolution. It relied on crowdfunding and cost-cutting measures; its budget was relatively low at US$1 million. (Full article...)
  • Image 6 Mother India is a 1957 Indian epic drama film, directed by Mehboob Khan and starring Nargis, Sunil Dutt, Rajendra Kumar and Raaj Kumar. A remake of Khan's earlier film Aurat (1940), it is the story of a poverty-stricken village woman named Radha (Nargis), who in the absence of her husband, struggles to raise her sons and survive against a cunning money-lender amidst many troubles. The title of the film was chosen to counter American author Katherine Mayo's 1927 polemical book Mother India, which vilified Indian culture. Mother India metaphorically represents India as a nation in the aftermath of its independence in 1947, and alludes to a strong sense of Indian nationalism and nation-building. Allusions to Hindu mythology are abundant in the film, and its lead character has been seen as a metonymic representation of an Indian woman who reflects high moral values and the concept of what it means to be a mother to society through self-sacrifice. While some authors treat Radha as the symbol of women's empowerment, others see her cast in female stereotypes. The film was shot in Mumbai's Mehboob Studios and in the villages of Maharashtra, Gujarat, and Uttar Pradesh. The music by Naushad introduced global music, including Western classical music and orchestra, to Hindi cinema. (Full article...)
    Mother India is a 1957 Indian epic drama film, directed by Mehboob Khan and starring Nargis, Sunil Dutt, Rajendra Kumar and Raaj Kumar. A remake of Khan's earlier film Aurat (1940), it is the story of a poverty-stricken village woman named Radha (Nargis), who in the absence of her husband, struggles to raise her sons and survive against a cunning money-lender amidst many troubles.

    The title of the film was chosen to counter American author Katherine Mayo's 1927 polemical book Mother India, which vilified Indian culture. Mother India metaphorically represents India as a nation in the aftermath of its independence in 1947, and alludes to a strong sense of Indian nationalism and nation-building. Allusions to Hindu mythology are abundant in the film, and its lead character has been seen as a metonymic representation of an Indian woman who reflects high moral values and the concept of what it means to be a mother to society through self-sacrifice. While some authors treat Radha as the symbol of women's empowerment, others see her cast in female stereotypes. The film was shot in Mumbai's Mehboob Studios and in the villages of Maharashtra, Gujarat, and Uttar Pradesh. The music by Naushad introduced global music, including Western classical music and orchestra, to Hindi cinema. (Full article...)
  • Image 7 Virupaksha temple at Hampi, the sacred centre at Vijayanagara, the royal capital Vijayanagara literature in Kannada is the body of literature composed in the Kannada language of South India during the ascendancy of the Vijayanagara Empire which lasted from the 14th through the 16th century. The Vijayanagara empire was established in 1336 by Harihara I and his brother Bukka Raya I. Although it lasted until 1664, its power declined after a major military defeat by the Shahi Sultanates in the battle of Talikota in 1565. The empire is named after its capital city Vijayanagara, whose ruins surround modern Hampi, now a World Heritage Site in Karnataka. Kannada literature during this period consisted of writings relating to the socio-religious developments of the Veerashaiva and Vaishnava faiths, and to a lesser extent to that of Jainism. Writing on secular topics was popular throughout this period. Authorship of these writings was not limited to poets and scholars alone. Significant literary contributions were made by members of the royal family, their ministers, army commanders of rank, nobility and the various subordinate rulers. In addition, a vast body of devotional folk literature was written by musical bards, mystics and saint-poets, influencing society in the empire. Writers of this period popularised use of the native metres: shatpadi (six-line verse), sangatya (compositions meant to be sung to the accompaniment of a musical instrument), and tripadi (three-line verse). (Full article...)
    Virupaksha temple at Hampi, the sacred centre at Vijayanagara, the royal capital

    Vijayanagara literature in Kannada is the body of literature composed in the Kannada language of South India during the ascendancy of the Vijayanagara Empire which lasted from the 14th through the 16th century. The Vijayanagara empire was established in 1336 by Harihara I and his brother Bukka Raya I. Although it lasted until 1664, its power declined after a major military defeat by the Shahi Sultanates in the battle of Talikota in 1565. The empire is named after its capital city Vijayanagara, whose ruins surround modern Hampi, now a World Heritage Site in Karnataka.

    Kannada literature during this period consisted of writings relating to the socio-religious developments of the Veerashaiva and Vaishnava faiths, and to a lesser extent to that of Jainism. Writing on secular topics was popular throughout this period. Authorship of these writings was not limited to poets and scholars alone. Significant literary contributions were made by members of the royal family, their ministers, army commanders of rank, nobility and the various subordinate rulers. In addition, a vast body of devotional folk literature was written by musical bards, mystics and saint-poets, influencing society in the empire. Writers of this period popularised use of the native metres: shatpadi (six-line verse), sangatya (compositions meant to be sung to the accompaniment of a musical instrument), and tripadi (three-line verse). (Full article...)
  • Image 8 Narayan in 1974 Ram Narayan (IPA: [raːm naːˈɾaːjəɳ]; 25 December 1927 – 9 November 2024), often referred to with the title Pandit, was an Indian musician who popularised the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player. Narayan was born near Udaipur and learned to play the sarangi at an early age. He studied under sarangi players and singers and, as a teenager, worked as a music teacher and travelling musician. All India Radio, Lahore, hired Narayan as an accompanist for vocalists in 1944. Narayan relocated to Delhi following the partition of India in 1947, but, wishing to go beyond accompaniment and frustrated with his supporting role, moved to Mumbai in 1949 to work in Indian cinema. (Full article...)

    Narayan in 1974

    Ram Narayan (IPA: [raːm naːˈɾaːjəɳ]; 25 December 1927 – 9 November 2024), often referred to with the title Pandit, was an Indian musician who popularised the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player.

    Narayan was born near Udaipur and learned to play the sarangi at an early age. He studied under sarangi players and singers and, as a teenager, worked as a music teacher and travelling musician. All India Radio, Lahore, hired Narayan as an accompanist for vocalists in 1944. Narayan relocated to Delhi following the partition of India in 1947, but, wishing to go beyond accompaniment and frustrated with his supporting role, moved to Mumbai in 1949 to work in Indian cinema. (Full article...)
  • Image 9 Basohli miniature, c. 1730. National Museum, New Delhi Ganesha (/gəɳeɕᵊ/, Sanskrit: गणेश, IAST: Gaṇeśa), also spelled Ganesh, and also known as Ganapati, Vinayaka and Pillaiyar, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in the Ganapatya sect. His depictions are found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and beyond India. Although Ganesha has many attributes, he is readily identified by his elephant head and four arms. He is widely revered, more specifically, as the remover of obstacles and bringer of good luck; the patron of arts and sciences; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked during writing sessions as a patron of letters and learning. Several texts relate anecdotes associated with his birth and exploits. (Full article...)

    Basohli miniature, c. 1730. National Museum, New Delhi

    Ganesha (/gəɳeɕᵊ/, Sanskrit: गणेश, IAST: Gaṇeśa), also spelled Ganesh, and also known as Ganapati, Vinayaka and Pillaiyar, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in the Ganapatya sect. His depictions are found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and beyond India.

    Although Ganesha has many attributes, he is readily identified by his elephant head and four arms. He is widely revered, more specifically, as the remover of obstacles and bringer of good luck; the patron of arts and sciences; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked during writing sessions as a patron of letters and learning. Several texts relate anecdotes associated with his birth and exploits. (Full article...)
  • Image 10 Mayabazar (transl. Market of Illusions) is a 1957 Indian epic Hindu mythological film directed by K. V. Reddy. It was produced by Nagi Reddi and Chakrapani under their banner, Vijaya Productions. The film was shot simultaneously in Telugu and Tamil, with a few differences in the cast. The story is an adaptation of the folk tale Sasirekha Parinayam, which is based on the characters of the epic Mahabharata. It revolves around the roles of Krishna (N. T. Rama Rao) and Ghatotkacha (S. V. Ranga Rao), as they try to reunite Arjuna's son Abhimanyu (Telugu: Akkineni Nageswara Rao, Tamil: Gemini Ganesan) with his love, Balarama's daughter Sasirekha (Savitri). The Telugu version features Gummadi, Mukkamala, Ramana Reddy, and Relangi in supporting roles, with D. Balasubramaniam, R. Balasubramaniam, V. M. Ezhumalai, and K. A. Thangavelu playing those parts in the Tamil version. The first mythological film produced by their studio, Mayabazar marked a milestone for Nagi Reddi and Chakrapani. In addition to the technical crew, 400 studio workers – including light men, carpenters, and painters – participated in the development of the film. Director Reddy was meticulous with the pre-production and casting phases, which took nearly a year to complete. Though Rama Rao was initially reluctant to play the lead role, his portrayal of Krishna received acclaim and yielded more offers to reprise the same role in several unrelated films. The soundtrack features twelve songs, with most of the musical score composed by Ghantasala. Telugu lyrics were written by Pingali Nagendrarao and Tamil lyrics were written by Thanjai N. Ramaiah Dass. One of those songs, Lahiri Lahiri, was accompanied by the first illusion of moonlight in Indian cinema, shot by cinematographer Marcus Bartley. (Full article...)
    Mayabazar (transl. Market of Illusions) is a 1957 Indian epic Hindu mythological film directed by K. V. Reddy. It was produced by Nagi Reddi and Chakrapani under their banner, Vijaya Productions. The film was shot simultaneously in Telugu and Tamil, with a few differences in the cast. The story is an adaptation of the folk tale Sasirekha Parinayam, which is based on the characters of the epic Mahabharata. It revolves around the roles of Krishna (N. T. Rama Rao) and Ghatotkacha (S. V. Ranga Rao), as they try to reunite Arjuna's son Abhimanyu (Telugu: Akkineni Nageswara Rao, Tamil: Gemini Ganesan) with his love, Balarama's daughter Sasirekha (Savitri). The Telugu version features Gummadi, Mukkamala, Ramana Reddy, and Relangi in supporting roles, with D. Balasubramaniam, R. Balasubramaniam, V. M. Ezhumalai, and K. A. Thangavelu playing those parts in the Tamil version.

    The first mythological film produced by their studio, Mayabazar marked a milestone for Nagi Reddi and Chakrapani. In addition to the technical crew, 400 studio workers – including light men, carpenters, and painters – participated in the development of the film. Director Reddy was meticulous with the pre-production and casting phases, which took nearly a year to complete. Though Rama Rao was initially reluctant to play the lead role, his portrayal of Krishna received acclaim and yielded more offers to reprise the same role in several unrelated films. The soundtrack features twelve songs, with most of the musical score composed by Ghantasala. Telugu lyrics were written by Pingali Nagendrarao and Tamil lyrics were written by Thanjai N. Ramaiah Dass. One of those songs, Lahiri Lahiri, was accompanied by the first illusion of moonlight in Indian cinema, shot by cinematographer Marcus Bartley. (Full article...)
  • Image 11 Padukone at the 2018 Cannes Film Festival Deepika Padukone (pronounced [d̪iːpɪkaː pəɖʊkoːɳeː]; born 5 January 1986) is an Indian actress who works predominantly in Hindi films. She is India's highest-paid actress, as of 2023, and her accolades include three Filmfare Awards. Time named her one of the 100 most influential people in the world in 2018 and awarded her the Time100 Impact Award in 2022. She is the only Indian to appear more than once on Time's list of 100 most influential people in world. Padukone, the daughter of the badminton player Prakash Padukone, was born in Copenhagen and raised in Bangalore. As a teenager, she played badminton in national level championships but left her career in the sport to become a fashion model. She soon received offers for film roles and made her acting debut in 2006 as the title character of the Kannada film Aishwarya. Padukone then played a dual role opposite Shah Rukh Khan in her first Bollywood release, the romance Om Shanti Om (2007), which won her the Filmfare Award for Best Female Debut. Padukone received praise for her starring role in the romance Love Aaj Kal (2009), but this was followed by a brief setback. (Full article...)

    Padukone at the 2018 Cannes Film Festival

    Deepika Padukone (pronounced [d̪iːpɪkaː pəɖʊkoːɳeː]; born 5 January 1986) is an Indian actress who works predominantly in Hindi films. She is India's highest-paid actress, as of 2023, and her accolades include three Filmfare Awards. Time named her one of the 100 most influential people in the world in 2018 and awarded her the Time100 Impact Award in 2022. She is the only Indian to appear more than once on Time's list of 100 most influential people in world.

    Padukone, the daughter of the badminton player Prakash Padukone, was born in Copenhagen and raised in Bangalore. As a teenager, she played badminton in national level championships but left her career in the sport to become a fashion model. She soon received offers for film roles and made her acting debut in 2006 as the title character of the Kannada film Aishwarya. Padukone then played a dual role opposite Shah Rukh Khan in her first Bollywood release, the romance Om Shanti Om (2007), which won her the Filmfare Award for Best Female Debut. Padukone received praise for her starring role in the romance Love Aaj Kal (2009), but this was followed by a brief setback. (Full article...)
  • Image 12 Waiting is a 2015 Indian Hindi-language drama film directed by Anu Menon. Produced by Priti Gupta and Manish Mundra under the banner of Ishka Films and Drishyam Films respectively, the film was co-written by Menon and James Ruzicka, and stars Naseeruddin Shah and Kalki Koechlin. Waiting focuses on the relationship between two people from different walks of life who befriend each other in a hospital, while nursing their respective comatose spouses. Rajat Kapoor, Suhasini Maniratnam, Arjun Mathur, Ratnabali Bhattacharjee and Rajeev Ravindranathan play supporting roles in the film. The development of the film began in June 2014, when Menon signed Koechlin and Shah for an untitled project. Principal photography started in November 2014 in the South Indian coastal city of Kochi; Neha Parti served as the cinematographer for the film. New Zealand-based singer-songwriter Mikey McCleary composed the film's score. Nitin Baid and Apurva Asrani edited the film, and Atika Chohan wrote the dialogue. Waiting also marked the Hindi film debut of the prominent South Indian actress-director Suhasini Maniratnam. Koechlin also made her debut as a lyricist with the film's soundtrack, writing the song "Waiting for You". (Full article...)
    Waiting is a 2015 Indian Hindi-language drama film directed by Anu Menon. Produced by Priti Gupta and Manish Mundra under the banner of Ishka Films and Drishyam Films respectively, the film was co-written by Menon and James Ruzicka, and stars Naseeruddin Shah and Kalki Koechlin. Waiting focuses on the relationship between two people from different walks of life who befriend each other in a hospital, while nursing their respective comatose spouses. Rajat Kapoor, Suhasini Maniratnam, Arjun Mathur, Ratnabali Bhattacharjee and Rajeev Ravindranathan play supporting roles in the film.

    The development of the film began in June 2014, when Menon signed Koechlin and Shah for an untitled project. Principal photography started in November 2014 in the South Indian coastal city of Kochi; Neha Parti served as the cinematographer for the film. New Zealand-based singer-songwriter Mikey McCleary composed the film's score. Nitin Baid and Apurva Asrani edited the film, and Atika Chohan wrote the dialogue. Waiting also marked the Hindi film debut of the prominent South Indian actress-director Suhasini Maniratnam. Koechlin also made her debut as a lyricist with the film's soundtrack, writing the song "Waiting for You". (Full article...)
  • Image 13 Khan in 2018 Shah Rukh Khan (pronounced [ˈʃaːɦɾʊx xäːn] ⓘ; born 2 November 1965), also known by the initialism SRK, is an Indian actor and film producer who works in Hindi cinema. Referred to in the media as the "Baadshah of Bollywood" and "King Khan", he has appeared in more than 100 films, and earned numerous accolades, including 14 Filmfare Awards. He has been awarded the Padma Shri by the Government of India, as well as the Order of Arts and Letters and Legion of Honour by the Government of France. Khan has a significant following in Asia and the Indian diaspora worldwide. In terms of audience size and income, several media outlets have described him as one of the most successful film stars in the world. Many of his films thematise Indian national identity and connections with diaspora communities, or gender, racial, social and religious differences and grievances. Khan began his career with appearances in several television series in the late 1980s and made his Bollywood debut in 1992 with the musical romance Deewana. He was initially recognised for playing villainous roles in the films Baazigar (1993) and Darr (1993). Khan established himself by starring in a series of top-grossing romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To Pagal Hai (1997), Kuch Kuch Hota Hai (1998), Mohabbatein (2000), Kabhi Khushi Kabhie Gham... (2001), Kal Ho Naa Ho (2003), Veer-Zaara (2004) and Kabhi Alvida Naa Kehna (2006). He earned critical acclaim for his portrayal of an alcoholic in the period romantic drama Devdas (2002), a NASA scientist in the social drama Swades (2004), a hockey coach in the sports drama Chak De! India (2007), and a man with Asperger syndrome in the drama My Name Is Khan (2010). Further commercial successes came with the romances Om Shanti Om (2007) and Rab Ne Bana Di Jodi (2008), and with his expansion to comedies in Chennai Express (2013) and Happy New Year (2014). Following a brief setback and hiatus, Khan made a career comeback with the 2023 action thrillers Pathaan and Jawan, both of which rank among the highest-grossing Indian films. (Full article...)

    Khan in 2018

    Shah Rukh Khan (pronounced [ˈʃaːɦɾʊx xäːn] ⓘ; born 2 November 1965), also known by the initialism SRK, is an Indian actor and film producer who works in Hindi cinema. Referred to in the media as the "Baadshah of Bollywood" and "King Khan", he has appeared in more than 100 films, and earned numerous accolades, including 14 Filmfare Awards. He has been awarded the Padma Shri by the Government of India, as well as the Order of Arts and Letters and Legion of Honour by the Government of France. Khan has a significant following in Asia and the Indian diaspora worldwide. In terms of audience size and income, several media outlets have described him as one of the most successful film stars in the world. Many of his films thematise Indian national identity and connections with diaspora communities, or gender, racial, social and religious differences and grievances.

    Khan began his career with appearances in several television series in the late 1980s and made his Bollywood debut in 1992 with the musical romance Deewana. He was initially recognised for playing villainous roles in the films Baazigar (1993) and Darr (1993). Khan established himself by starring in a series of top-grossing romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To Pagal Hai (1997), Kuch Kuch Hota Hai (1998), Mohabbatein (2000), Kabhi Khushi Kabhie Gham... (2001), Kal Ho Naa Ho (2003), Veer-Zaara (2004) and Kabhi Alvida Naa Kehna (2006). He earned critical acclaim for his portrayal of an alcoholic in the period romantic drama Devdas (2002), a NASA scientist in the social drama Swades (2004), a hockey coach in the sports drama Chak De! India (2007), and a man with Asperger syndrome in the drama My Name Is Khan (2010). Further commercial successes came with the romances Om Shanti Om (2007) and Rab Ne Bana Di Jodi (2008), and with his expansion to comedies in Chennai Express (2013) and Happy New Year (2014). Following a brief setback and hiatus, Khan made a career comeback with the 2023 action thrillers Pathaan and Jawan, both of which rank among the highest-grossing Indian films. (Full article...)
  • Image 14 Vidya in 2024 Vidya Balan (pronounced [ʋɪd̪ːja baːlən]; born 1 January 1979) is an Indian actress. Known for pioneering a change in the portrayal of women in Hindi cinema with her roles in female-led films, she is the recipient of several awards, including a National Film Award and seven Filmfare Awards. She was awarded the Padma Shri by the Government of India in 2014. Vidya aspired to a career in film from a young age and had her first acting role in the 1995 sitcom Hum Paanch. While pursuing a master's degree in sociology from the University of Mumbai, she made several unsuccessful attempts to start a career in film, and featured in television commercials and music videos. She made her film debut by starring in the Bengali film Bhalo Theko (2003) and received praise for her first Hindi film, the drama Parineeta (2005). This was followed by several commercial successes including Lage Raho Munna Bhai (2006) and Bhool Bhulaiyaa (2007), but her subsequent roles were met with negative reviews. (Full article...)

    Vidya in 2024

    Vidya Balan (pronounced [ʋɪd̪ːja baːlən]; born 1 January 1979) is an Indian actress. Known for pioneering a change in the portrayal of women in Hindi cinema with her roles in female-led films, she is the recipient of several awards, including a National Film Award and seven Filmfare Awards. She was awarded the Padma Shri by the Government of India in 2014.

    Vidya aspired to a career in film from a young age and had her first acting role in the 1995 sitcom Hum Paanch. While pursuing a master's degree in sociology from the University of Mumbai, she made several unsuccessful attempts to start a career in film, and featured in television commercials and music videos. She made her film debut by starring in the Bengali film Bhalo Theko (2003) and received praise for her first Hindi film, the drama Parineeta (2005). This was followed by several commercial successes including Lage Raho Munna Bhai (2006) and Bhool Bhulaiyaa (2007), but her subsequent roles were met with negative reviews. (Full article...)
  • Image 15 Kapadia in 2018 Dimple Kapadia (born 8 June 1957) is an Indian actress predominantly appearing in Hindi films. Born and raised in Mumbai by wealthy parents, she aspired to become an actress from a young age and received her first opportunity through her father's efforts to launch her in the film industry. She was discovered at age 14 by the filmmaker Raj Kapoor, who cast her in the title role of his teen romance Bobby (1973), which opened to major commercial success and gained her wide public recognition. Shortly before the film's release in 1973, she married the actor Rajesh Khanna and quit acting. Their daughters, Twinkle and Rinke Khanna, both briefly worked as actresses in their youth. Kapadia returned to films in 1984, two years after her separation from Khanna. Her comeback film Saagar, which was released a year later, revived her career. Both Bobby and Saagar won her Filmfare Awards for Best Actress. Through her work over the next decade, she established herself as one of Hindi cinema's leading actresses. While her initial roles often relied on her perceived beauty and sex appeal, Kapadia was keen to challenge herself and expand her range. She was among the first actresses who starred in women-centred Hindi action films but found greater favour with critics when she took on more dramatic roles in both mainstream and neorealist parallel cinema. Appearing in films ranging from marital dramas to literary adaptations, she played troubled women sometimes deemed reflective of her personal experience, and received acclaim for her performances in Kaash (1987), Drishti (1990), Lekin... (1991), and Rudaali (1993). For her role as a professional mourner in Rudaali, she won the National Film Award for Best Actress and a Filmfare Critics Award. She also had supporting roles in the crime dramas Prahaar (1991), Angaar (1992), Gardish (1993) and Krantiveer (1994), the latter securing her another Filmfare Award. (Full article...)

    Kapadia in 2018

    Dimple Kapadia (born 8 June 1957) is an Indian actress predominantly appearing in Hindi films. Born and raised in Mumbai by wealthy parents, she aspired to become an actress from a young age and received her first opportunity through her father's efforts to launch her in the film industry. She was discovered at age 14 by the filmmaker Raj Kapoor, who cast her in the title role of his teen romance Bobby (1973), which opened to major commercial success and gained her wide public recognition. Shortly before the film's release in 1973, she married the actor Rajesh Khanna and quit acting. Their daughters, Twinkle and Rinke Khanna, both briefly worked as actresses in their youth. Kapadia returned to films in 1984, two years after her separation from Khanna. Her comeback film Saagar, which was released a year later, revived her career. Both Bobby and Saagar won her Filmfare Awards for Best Actress. Through her work over the next decade, she established herself as one of Hindi cinema's leading actresses.

    While her initial roles often relied on her perceived beauty and sex appeal, Kapadia was keen to challenge herself and expand her range. She was among the first actresses who starred in women-centred Hindi action films but found greater favour with critics when she took on more dramatic roles in both mainstream and neorealist parallel cinema. Appearing in films ranging from marital dramas to literary adaptations, she played troubled women sometimes deemed reflective of her personal experience, and received acclaim for her performances in Kaash (1987), Drishti (1990), Lekin... (1991), and Rudaali (1993). For her role as a professional mourner in Rudaali, she won the National Film Award for Best Actress and a Filmfare Critics Award. She also had supporting roles in the crime dramas Prahaar (1991), Angaar (1992), Gardish (1993) and Krantiveer (1994), the latter securing her another Filmfare Award. (Full article...)
  • Image 16 In Kruger National Park, South Africa The black stork (Ciconia nigra) is a large bird in the stork family Ciconiidae. It was first described by Carl Linnaeus in the 10th edition of his Systema Naturae. Measuring on average 95 to 100 cm (37 to 39 in) from beak tip to end of tail with a 145-to-155 cm (57-to-61 in) wingspan, the adult black stork has mainly black plumage, with white underparts, long red legs and a long pointed red beak. A widespread but uncommon species, it breeds in scattered locations across Europe (predominantly in Portugal and Spain, and central and eastern parts), and east across the Palearctic to the Pacific Ocean. It is a long-distance migrant, with European populations wintering in tropical Sub-Saharan Africa, and Asian populations in the Indian subcontinent. When migrating between Europe and Africa, it avoids crossing broad expanses of the Mediterranean Sea and detours via the Levant in the east, the Strait of Sicily in the center, or the Strait of Gibraltar in the west. An isolated non-migratory population lives in Southern Africa. Unlike the closely related white stork, the black stork is a shy and wary species. It is seen singly or in pairs, usually in marshy areas, rivers or inland waters. It feeds on amphibians, small fish and insects, generally wading slowly in shallow water stalking its prey. Breeding pairs usually build nests in large forest trees—most commonly deciduous but also coniferous—which can be seen from long distances, as well as on large boulders, or under overhanging ledges in mountainous areas. The female lays two to five greyish-white eggs, which become soiled over time in the nest. Incubation takes 32 to 38 days, with both sexes sharing duties, and fledging takes 60 to 71 days. (Full article...)

    In Kruger National Park, South Africa

    The black stork (Ciconia nigra) is a large bird in the stork family Ciconiidae. It was first described by Carl Linnaeus in the 10th edition of his Systema Naturae. Measuring on average 95 to 100 cm (37 to 39 in) from beak tip to end of tail with a 145-to-155 cm (57-to-61 in) wingspan, the adult black stork has mainly black plumage, with white underparts, long red legs and a long pointed red beak. A widespread but uncommon species, it breeds in scattered locations across Europe (predominantly in Portugal and Spain, and central and eastern parts), and east across the Palearctic to the Pacific Ocean. It is a long-distance migrant, with European populations wintering in tropical Sub-Saharan Africa, and Asian populations in the Indian subcontinent. When migrating between Europe and Africa, it avoids crossing broad expanses of the Mediterranean Sea and detours via the Levant in the east, the Strait of Sicily in the center, or the Strait of Gibraltar in the west. An isolated non-migratory population lives in Southern Africa.

    Unlike the closely related white stork, the black stork is a shy and wary species. It is seen singly or in pairs, usually in marshy areas, rivers or inland waters. It feeds on amphibians, small fish and insects, generally wading slowly in shallow water stalking its prey. Breeding pairs usually build nests in large forest trees—most commonly deciduous but also coniferous—which can be seen from long distances, as well as on large boulders, or under overhanging ledges in mountainous areas. The female lays two to five greyish-white eggs, which become soiled over time in the nest. Incubation takes 32 to 38 days, with both sexes sharing duties, and fledging takes 60 to 71 days. (Full article...)
  • Image 17 Ganges river dolphin breaking the surface South Asian river dolphins are toothed whales in the genus Platanista, which inhabit the waterways of the Indian subcontinent. They were historically considered to be one species (P. gangetica) with the Ganges river dolphin and the Indus river dolphin being subspecies (P. g. gangetica and P. g. minor respectively). Genetic and morphological evidence led to their being described as separate species in 2021. The Ganges and Indus river dolphins are estimated to have diverged 550,000 years ago. They are the only living members of the family Platanistidae and the superfamily Platanistoidea. Fossils of ancient relatives date to the late Oligocene. South Asian river dolphins are small but stocky cetaceans with long snouts or rostra, broad flippers, and small dorsal fins. They have several unusual features. Living in murky river waters, they have eyes that are tiny and lensless; the dolphins rely instead on echolocation for navigation. The skull has large crests over the melon, which help direct their echolocation signals. These dolphins prey mainly on fish and shrimp and hunt them throughout the water column. They are active through the day and are sighted in small groups. Both species are listed as endangered by the IUCN Red List of mammals. Major threats include dams, barrages, fishing nets, and both chemical and acoustic pollution. (Full article...)

    Ganges river dolphin breaking the surface

    South Asian river dolphins are toothed whales in the genus Platanista, which inhabit the waterways of the Indian subcontinent. They were historically considered to be one species (P. gangetica) with the Ganges river dolphin and the Indus river dolphin being subspecies (P. g. gangetica and P. g. minor respectively). Genetic and morphological evidence led to their being described as separate species in 2021. The Ganges and Indus river dolphins are estimated to have diverged 550,000 years ago. They are the only living members of the family Platanistidae and the superfamily Platanistoidea. Fossils of ancient relatives date to the late Oligocene.

    South Asian river dolphins are small but stocky cetaceans with long snouts or rostra, broad flippers, and small dorsal fins. They have several unusual features. Living in murky river waters, they have eyes that are tiny and lensless; the dolphins rely instead on echolocation for navigation. The skull has large crests over the melon, which help direct their echolocation signals. These dolphins prey mainly on fish and shrimp and hunt them throughout the water column. They are active through the day and are sighted in small groups. Both species are listed as endangered by the IUCN Red List of mammals. Major threats include dams, barrages, fishing nets, and both chemical and acoustic pollution. (Full article...)
  • Image 18 Aravan worshipped at Sri Mariamman Temple, Singapore. A cobra hood is sheltering Aravan's head. Iravan also known as Iravat and Iravant, is a minor character from the Hindu epic Mahabharata. The son of Pandava prince Arjuna (one of the main heroes of the Mahabharata) and the Naga princess Ulupi, Iravan is the central deity of the cult of Kuttantavar (Kuttandavar) which is also the name commonly given to him in that tradition—and plays a major role in the sect of Draupadi. Both these sects are of Tamil origin, from a region of the country where he is worshipped as a village deity and is known as Aravan. He is also a patron god of well-known transgender communities called Alis (also Aravani in Tamil, and Hijra throughout South Asia). The Mahabharata portrays Iravan as dying a heroic death on the 8th day of the 18-day Kurukshetra War (Mahabharata war), the epic's main subject. However, the South Indian traditions have a supplementary practice of honouring Aravan's self-sacrifice to the goddess Kali to ensure her favour and the victory of the Pandavas in the war. The Kuttantavar tradition focuses on one of the three boons granted to Aravan by the god Krishna in honour of this self-sacrifice. Aravan requested that he be married before his death. Krishna satisfied this boon in his female form, Mohini. In Koovagam, Tamil Nadu, this incident is re-enacted in an 18-day festival, first by a ceremonial marriage of Aravan to Alis (hijra) and male villagers (who have taken vows to Aravan) and then by their widowhood after ritual re-enactment of Aravan's sacrifice. (Full article...)

    Aravan worshipped at Sri Mariamman Temple, Singapore. A cobra hood is sheltering Aravan's head.

    Iravan also known as Iravat and Iravant, is a minor character from the Hindu epic Mahabharata. The son of Pandava prince Arjuna (one of the main heroes of the Mahabharata) and the Naga princess Ulupi, Iravan is the central deity of the cult of Kuttantavar (Kuttandavar) which is also the name commonly given to him in that tradition—and plays a major role in the sect of Draupadi. Both these sects are of Tamil origin, from a region of the country where he is worshipped as a village deity and is known as Aravan. He is also a patron god of well-known transgender communities called Alis (also Aravani in Tamil, and Hijra throughout South Asia).

    The Mahabharata portrays Iravan as dying a heroic death on the 8th day of the 18-day Kurukshetra War (Mahabharata war), the epic's main subject. However, the South Indian traditions have a supplementary practice of honouring Aravan's self-sacrifice to the goddess Kali to ensure her favour and the victory of the Pandavas in the war. The Kuttantavar tradition focuses on one of the three boons granted to Aravan by the god Krishna in honour of this self-sacrifice. Aravan requested that he be married before his death. Krishna satisfied this boon in his female form, Mohini. In Koovagam, Tamil Nadu, this incident is re-enacted in an 18-day festival, first by a ceremonial marriage of Aravan to Alis (hijra) and male villagers (who have taken vows to Aravan) and then by their widowhood after ritual re-enactment of Aravan's sacrifice. (Full article...)
  • Image 19 Sir Robert Eric Mortimer Wheeler CH CIE MC TD FRS FBA FSA (10 September 1890 – 22 July 1976) was a British archaeologist and officer in the British Army. Over the course of his career, he served as Director of both the National Museum of Wales and London Museum, Director-General of the Archaeological Survey of India, and the founder and Honorary Director of the Institute of Archaeology in London, in addition to writing twenty-four books on archaeological subjects. Born in Glasgow to a middle-class family, Wheeler was raised largely in Yorkshire before moving to London in his teenage years. After studying classics at University College London (UCL), he began working professionally in archaeology, specialising in the Romano-British period. During World War I he volunteered for service in the Royal Artillery, being stationed on the Western Front, where he rose to the rank of major and was awarded the Military Cross. Returning to Britain, he obtained his doctorate from UCL before taking on a position at the National Museum of Wales, first as Keeper of Archaeology and then as Director, during which time he oversaw excavation at the Roman forts of Segontium, Y Gaer, and Isca Augusta with the aid of his first wife, Tessa Wheeler. Influenced by the archaeologist Augustus Pitt Rivers, Wheeler argued that excavation and the recording of stratigraphic context required an increasingly scientific and methodical approach, developing the "Wheeler method". In 1926, he was appointed Keeper of the London Museum; there, he oversaw a reorganisation of the collection, successfully lobbied for increased funding, and began lecturing at UCL. (Full article...)
    Sir Robert Eric Mortimer Wheeler CH CIE MC TD FRS FBA FSA (10 September 1890 – 22 July 1976) was a British archaeologist and officer in the British Army. Over the course of his career, he served as Director of both the National Museum of Wales and London Museum, Director-General of the Archaeological Survey of India, and the founder and Honorary Director of the Institute of Archaeology in London, in addition to writing twenty-four books on archaeological subjects.

    Born in Glasgow to a middle-class family, Wheeler was raised largely in Yorkshire before moving to London in his teenage years. After studying classics at University College London (UCL), he began working professionally in archaeology, specialising in the Romano-British period. During World War I he volunteered for service in the Royal Artillery, being stationed on the Western Front, where he rose to the rank of major and was awarded the Military Cross. Returning to Britain, he obtained his doctorate from UCL before taking on a position at the National Museum of Wales, first as Keeper of Archaeology and then as Director, during which time he oversaw excavation at the Roman forts of Segontium, Y Gaer, and Isca Augusta with the aid of his first wife, Tessa Wheeler. Influenced by the archaeologist Augustus Pitt Rivers, Wheeler argued that excavation and the recording of stratigraphic context required an increasingly scientific and methodical approach, developing the "Wheeler method". In 1926, he was appointed Keeper of the London Museum; there, he oversaw a reorganisation of the collection, successfully lobbied for increased funding, and began lecturing at UCL. (Full article...)
  • Image 20 Nil Battey Sannata (lit. 'Zero Divided by Zero Equals Nothing'; slang for "Good for Nothing"), released internationally as The New Classmate, is a 2015 Indian Hindi-language comedy drama film directed by Ashwiny Iyer Tiwari in her feature debut. Produced by Aanand L. Rai, Ajay Rai, and Alan McAlex under the banners of Colour Yellow Productions and JAR Pictures, the film was co-written by Iyer, Neeraj Singh, Pranjal Choudhary, and Nitesh Tiwari. Swara Bhaskar starred as Chanda Sahay, a high-school drop-out household maid and single mother of a sullen young girl named Apeksha, played by Riya Shukla. The film's theme is a person's right to dream and change their lives, irrespective of social status. Released in India on 22 April 2016, Nil Battey Sannata was distributed by Eros International and garnered critical and audience acclaim. Reviewers praised most aspects of the production, especially its narrative and realism, and the performances of the cast, Bhaskar's in particular. At the 62nd Filmfare Awards, Iyer won the Filmfare Award for Best Debut Director, while Bhaskar and Shukla won the Screen Awards for Best Actress (Critics) and Best Child Artist respectively. The film did well at the box-office, collecting a total of around ₹69 million (US$820,000) during its entire theatrical run. The same year, the film was remade in Tamil as Amma Kanakku, with Iyer returning to direct. The following year, it was remade in Malayalam as Udaharanam Sujatha. (Full article...)
    Nil Battey Sannata (lit. 'Zero Divided by Zero Equals Nothing'; slang for "Good for Nothing"), released internationally as The New Classmate, is a 2015 Indian Hindi-language comedy drama film directed by Ashwiny Iyer Tiwari in her feature debut. Produced by Aanand L. Rai, Ajay Rai, and Alan McAlex under the banners of Colour Yellow Productions and JAR Pictures, the film was co-written by Iyer, Neeraj Singh, Pranjal Choudhary, and Nitesh Tiwari. Swara Bhaskar starred as Chanda Sahay, a high-school drop-out household maid and single mother of a sullen young girl named Apeksha, played by Riya Shukla. The film's theme is a person's right to dream and change their lives, irrespective of social status.

    Released in India on 22 April 2016, Nil Battey Sannata was distributed by Eros International and garnered critical and audience acclaim. Reviewers praised most aspects of the production, especially its narrative and realism, and the performances of the cast, Bhaskar's in particular. At the 62nd Filmfare Awards, Iyer won the Filmfare Award for Best Debut Director, while Bhaskar and Shukla won the Screen Awards for Best Actress (Critics) and Best Child Artist respectively. The film did well at the box-office, collecting a total of around ₹69 million (US$820,000) during its entire theatrical run. The same year, the film was remade in Tamil as Amma Kanakku, with Iyer returning to direct. The following year, it was remade in Malayalam as Udaharanam Sujatha. (Full article...)
  • Image 21 The frontispiece of the 1920 edition of Tod's Annals and Antiquities of Rajast'han Lieutenant-Colonel James Tod (20 March 1782 – 18 November 1835) was an officer of the British East India Company and an Oriental scholar. He combined his official role and his amateur interests to create a series of works about the history and geography of India, and in particular the area then known as Rajputana that corresponds to the present day state of Rajasthan, and which Tod referred to as Rajast'han. Tod was born in London and educated in Scotland. He joined the East India Company as a military officer and travelled to India in 1799 as a cadet in the Bengal Army. He rose quickly in rank, eventually becoming captain of an escort for an envoy in a Sindian royal court. After the Third Anglo-Maratha War, during which Tod was involved in the intelligence department, he was appointed Political Agent for some areas of Rajputana. His task was to help unify the region under the control of the East India Company. During this period Tod conducted most of the research that he would later publish. Tod was initially successful in his official role, but his methods were questioned by other members of the East India Company. Over time, his work was restricted and his areas of oversight were significantly curtailed. In 1823, owing to declining health and reputation, Tod resigned his post as Political Agent and returned to England. (Full article...)

    The frontispiece of the 1920 edition of Tod's Annals and Antiquities of Rajast'han

    Lieutenant-Colonel James Tod (20 March 1782 – 18 November 1835) was an officer of the British East India Company and an Oriental scholar. He combined his official role and his amateur interests to create a series of works about the history and geography of India, and in particular the area then known as Rajputana that corresponds to the present day state of Rajasthan, and which Tod referred to as Rajast'han.

    Tod was born in London and educated in Scotland. He joined the East India Company as a military officer and travelled to India in 1799 as a cadet in the Bengal Army. He rose quickly in rank, eventually becoming captain of an escort for an envoy in a Sindian royal court. After the Third Anglo-Maratha War, during which Tod was involved in the intelligence department, he was appointed Political Agent for some areas of Rajputana. His task was to help unify the region under the control of the East India Company. During this period Tod conducted most of the research that he would later publish. Tod was initially successful in his official role, but his methods were questioned by other members of the East India Company. Over time, his work was restricted and his areas of oversight were significantly curtailed. In 1823, owing to declining health and reputation, Tod resigned his post as Political Agent and returned to England. (Full article...)
  • Image 22 Ahalya by Raja Ravi Varma (1848–1906) In Hinduism, Ahalya (Sanskrit: अहल्या, IAST: Ahalyā) also spelt as Ahilya, is the wife of the sage Gautama Maharishi. Many Hindu scriptures describe her legend of seduction by the king of the gods Indra, her husband's curse for her infidelity, and her liberation from the curse by the god Rama. Created by the god Brahma as the most beautiful woman, Ahalya was married to the much older Gautama. In the earliest full narrative, when Indra comes disguised as her husband, Ahalya sees through his disguise but nevertheless accepts his advances. Later sources often absolve her of all guilt, describing how she falls prey to Indra's trickery. In all narratives, Ahalya and Indra are cursed by Gautama. The curse varies from text to text, but almost all versions describe Rama as the eventual agent of her liberation and redemption. Although early texts describe how Ahalya must atone by undergoing severe penance while remaining invisible to the world and how she is purified by offering Rama hospitality, in the popular retelling developed over time, Ahalya is cursed to become a stone and regains her human form after she is brushed by Rama's foot. (Full article...)

    Ahalya by Raja Ravi Varma (1848–1906)

    In Hinduism, Ahalya (Sanskrit: अहल्या, IAST: Ahalyā) also spelt as Ahilya, is the wife of the sage Gautama Maharishi. Many Hindu scriptures describe her legend of seduction by the king of the gods Indra, her husband's curse for her infidelity, and her liberation from the curse by the god Rama.

    Created by the god Brahma as the most beautiful woman, Ahalya was married to the much older Gautama. In the earliest full narrative, when Indra comes disguised as her husband, Ahalya sees through his disguise but nevertheless accepts his advances. Later sources often absolve her of all guilt, describing how she falls prey to Indra's trickery. In all narratives, Ahalya and Indra are cursed by Gautama. The curse varies from text to text, but almost all versions describe Rama as the eventual agent of her liberation and redemption. Although early texts describe how Ahalya must atone by undergoing severe penance while remaining invisible to the world and how she is purified by offering Rama hospitality, in the popular retelling developed over time, Ahalya is cursed to become a stone and regains her human form after she is brushed by Rama's foot. (Full article...)
  • Image 23 Zinta in 2018 Preity G. Zinta (pronounced [ˈpriːt̪i ˈzɪɳʈa]; born 31 January 1975) is an Indian actress and entrepreneur primarily known for her work in Hindi films. After graduating with degrees in English honours and criminal psychology, Zinta made her acting debut in Dil Se.. in 1998, followed by a role in Soldier in the same year. These performances earned her the Filmfare Award for Best Female Debut, and she was later recognised for her role as a teenage single mother in Kya Kehna (2000). She established a career as a leading Hindi film actress of the decade with a variety of character types. Her roles, often deemed culturally defiant, along with her unconventional screen persona won her recognition and several accolades. Following critically appreciated roles in Chori Chori Chupke Chupke (2001), Dil Chahta Hai (2001), Dil Hai Tumhaara (2002), and Armaan (2003), Zinta received the Filmfare Award for Best Actress for her performance in Kal Ho Naa Ho (2003). She starred in two consecutive annual top-grossing films in India, Koi... Mil Gaya (2003) and Veer-Zaara (2004), and was noted for her portrayal of independent, modern Indian women in Salaam Namaste (2005) and Kabhi Alvida Naa Kehna (2006), top-grossing productions in domestic and overseas markets. For her first international role in the Canadian drama Heaven on Earth (2008) she was awarded the Silver Hugo Award for Best Actress and nominated for the Genie Award for Best Actress. She followed this with a hiatus from acting work for several years, with intermittent appearances such as in her self-produced comeback film, Ishkq in Paris (2013), which failed to leave a mark. (Full article...)

    Zinta in 2018

    Preity G. Zinta (pronounced [ˈpriːt̪i ˈzɪɳʈa]; born 31 January 1975) is an Indian actress and entrepreneur primarily known for her work in Hindi films. After graduating with degrees in English honours and criminal psychology, Zinta made her acting debut in Dil Se.. in 1998, followed by a role in Soldier in the same year. These performances earned her the Filmfare Award for Best Female Debut, and she was later recognised for her role as a teenage single mother in Kya Kehna (2000). She established a career as a leading Hindi film actress of the decade with a variety of character types. Her roles, often deemed culturally defiant, along with her unconventional screen persona won her recognition and several accolades.

    Following critically appreciated roles in Chori Chori Chupke Chupke (2001), Dil Chahta Hai (2001), Dil Hai Tumhaara (2002), and Armaan (2003), Zinta received the Filmfare Award for Best Actress for her performance in Kal Ho Naa Ho (2003). She starred in two consecutive annual top-grossing films in India, Koi... Mil Gaya (2003) and Veer-Zaara (2004), and was noted for her portrayal of independent, modern Indian women in Salaam Namaste (2005) and Kabhi Alvida Naa Kehna (2006), top-grossing productions in domestic and overseas markets. For her first international role in the Canadian drama Heaven on Earth (2008) she was awarded the Silver Hugo Award for Best Actress and nominated for the Genie Award for Best Actress. She followed this with a hiatus from acting work for several years, with intermittent appearances such as in her self-produced comeback film, Ishkq in Paris (2013), which failed to leave a mark. (Full article...)
  • Image 24 Phoolan Devi (Hindi: [pʰuː.lən d̪eː.ʋiː], 10 August 1963 – 25 July 2001), popularly known as the Bandit Queen, was an Indian dacoit (bandit) who became a politician, serving as a member of parliament until her assassination. She was a woman of the Mallah subcaste who grew up in poverty in a village in the state of Uttar Pradesh, where her family was on the losing side of a land dispute which caused them many problems. After being married off at the age of eleven and being sexually abused by various people, she joined a gang of dacoits. Her gang robbed higher-caste villages and held up trains and vehicles. When she punished her rapists and evaded capture by the authorities, she became a heroine to the Other Backward Classes who saw her as a Robin Hood figure. Phoolan Devi was charged in absentia for the 1981 Behmai massacre, in which twenty Thakur men were killed, allegedly on her command. After this event, the Chief Minister of Uttar Pradesh resigned, and calls to apprehend her were amplified. She surrendered two years later in a carefully negotiated settlement and spent eleven years in Gwalior prison, awaiting trial. Phoolan Devi was released in 1994 after her charges were set aside. She subsequently became a politician and was elected as a member of parliament for the Samajwadi Party in 1996. She lost her seat in 1998, but regained it the following year. She was the incumbent at the time of her death in 2001. She was assassinated outside her house by Sher Singh Rana, who was convicted for the murder in 2014. At the time of her death, she was still fighting against the reinstituted criminal charges, having lost a 1996 appeal to the Supreme Court to have the charges dropped. Phoolan Devi's worldwide fame grew after the release of the controversial 1994 film Bandit Queen, which told her life story in a way she did not approve of. Her life has also inspired several biographies and her dictated autobiography was entitled I, Phoolan Devi. There are varying accounts of her life because she told differing versions to suit her changing circumstances. (Full article...)
    Phoolan Devi (Hindi: [pʰuː.lən d̪eː.ʋiː], 10 August 1963 – 25 July 2001), popularly known as the Bandit Queen, was an Indian dacoit (bandit) who became a politician, serving as a member of parliament until her assassination. She was a woman of the Mallah subcaste who grew up in poverty in a village in the state of Uttar Pradesh, where her family was on the losing side of a land dispute which caused them many problems. After being married off at the age of eleven and being sexually abused by various people, she joined a gang of dacoits. Her gang robbed higher-caste villages and held up trains and vehicles. When she punished her rapists and evaded capture by the authorities, she became a heroine to the Other Backward Classes who saw her as a Robin Hood figure. Phoolan Devi was charged in absentia for the 1981 Behmai massacre, in which twenty Thakur men were killed, allegedly on her command. After this event, the Chief Minister of Uttar Pradesh resigned, and calls to apprehend her were amplified. She surrendered two years later in a carefully negotiated settlement and spent eleven years in Gwalior prison, awaiting trial.

    Phoolan Devi was released in 1994 after her charges were set aside. She subsequently became a politician and was elected as a member of parliament for the Samajwadi Party in 1996. She lost her seat in 1998, but regained it the following year. She was the incumbent at the time of her death in 2001. She was assassinated outside her house by Sher Singh Rana, who was convicted for the murder in 2014. At the time of her death, she was still fighting against the reinstituted criminal charges, having lost a 1996 appeal to the Supreme Court to have the charges dropped. Phoolan Devi's worldwide fame grew after the release of the controversial 1994 film Bandit Queen, which told her life story in a way she did not approve of. Her life has also inspired several biographies and her dictated autobiography was entitled I, Phoolan Devi. There are varying accounts of her life because she told differing versions to suit her changing circumstances. (Full article...)
  • Image 25 Osbert Guy Stanhope Crawford CBE FBA FSA (28 October 1886 – 28 November 1957) was a British archaeologist who specialised in the archaeology of prehistoric Britain and Sudan. A keen proponent of aerial archaeology, he spent most of his career as the archaeological officer of the Ordnance Survey (OS) and also wrote a range of books on archaeological subjects. Born in Bombay, British India, to a wealthy middle-class Scottish family, Crawford moved to England as an infant and was raised by his aunts in London and Hampshire. He studied geography at Keble College, Oxford, and worked briefly in that field before devoting himself professionally to archaeology. Employed by the philanthropist Henry Wellcome, Crawford oversaw the excavation of Abu Geili in Sudan before returning to England shortly before the First World War. During the conflict he served in both the London Scottish Regiment and the Royal Flying Corps, where he was involved in ground and aerial reconnaissance along the Western Front. After an injury forced a period of convalescence in England, he returned to the Western Front, where he was captured by the German Army in 1918 and held as a prisoner of war until the end of the conflict. (Full article...)
    Osbert Guy Stanhope Crawford CBE FBA FSA (28 October 1886 – 28 November 1957) was a British archaeologist who specialised in the archaeology of prehistoric Britain and Sudan. A keen proponent of aerial archaeology, he spent most of his career as the archaeological officer of the Ordnance Survey (OS) and also wrote a range of books on archaeological subjects.

    Born in Bombay, British India, to a wealthy middle-class Scottish family, Crawford moved to England as an infant and was raised by his aunts in London and Hampshire. He studied geography at Keble College, Oxford, and worked briefly in that field before devoting himself professionally to archaeology. Employed by the philanthropist Henry Wellcome, Crawford oversaw the excavation of Abu Geili in Sudan before returning to England shortly before the First World War. During the conflict he served in both the London Scottish Regiment and the Royal Flying Corps, where he was involved in ground and aerial reconnaissance along the Western Front. After an injury forced a period of convalescence in England, he returned to the Western Front, where he was captured by the German Army in 1918 and held as a prisoner of war until the end of the conflict. (Full article...)
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  • Image 1 Vidyasagar Setu from Prinsep Ghat Vidyasagar Setu, also known as the Second Hooghly Bridge, is an 822.96-metre-long (2,700 ft) cable-stayed six-laned toll bridge over the Hooghly River in West Bengal, India, linking the cities of Kolkata and Howrah. Opened in 1992, Vidyasagar Setu was the first and longest cable-stayed bridge in India at the time of its inauguration. It was the second bridge to be built across the Hooghly River in Kolkata metropolitan region and was named after the education reformer Pandit Ishwar Chandra Vidyasagar. The project had a cost of ₹388 crore to build. The project was a joint effort between the public and private sectors, under the control of the Hooghly River Bridge Commissioners (HRBC). The importance of the bridge has increased manifold since 2013, as the West Bengal State Secretariat had shifted its office to Nabanna, located adjacent to the bridge on the Howrah side. (Full article...)

    Vidyasagar Setu from Prinsep Ghat

    Vidyasagar Setu, also known as the Second Hooghly Bridge, is an 822.96-metre-long (2,700 ft) cable-stayed six-laned toll bridge over the Hooghly River in West Bengal, India, linking the cities of Kolkata and Howrah. Opened in 1992, Vidyasagar Setu was the first and longest cable-stayed bridge in India at the time of its inauguration. It was the second bridge to be built across the Hooghly River in Kolkata metropolitan region and was named after the education reformer Pandit Ishwar Chandra Vidyasagar. The project had a cost of ₹388 crore to build. The project was a joint effort between the public and private sectors, under the control of the Hooghly River Bridge Commissioners (HRBC).

    The importance of the bridge has increased manifold since 2013, as the West Bengal State Secretariat had shifted its office to Nabanna, located adjacent to the bridge on the Howrah side. (Full article...)
  • Image 2 Vizianagaram fort main entrance Vizianagaram fort is an early 18th-century fort in the city of Vizianagaram in northeastern Andhra Pradesh, South India. It was built by Vijaya Rama Raju, the Maharaja of Vizianagaram in 1713. The formal ceremony, while laying the foundation for the fort, was very auspicious as it represented five signs of victory. The square-shaped fort has two main gates, of which the main entry gate (the "Nagar khana") has elaborate architectural features. There are many temples and palaces within the fort and a victory tower. This alternative name is Pusapati.[citation needed] (Full article...)

    Vizianagaram fort main entrance

    Vizianagaram fort is an early 18th-century fort in the city of Vizianagaram in northeastern Andhra Pradesh, South India. It was built by Vijaya Rama Raju, the Maharaja of Vizianagaram in 1713. The formal ceremony, while laying the foundation for the fort, was very auspicious as it represented five signs of victory. The square-shaped fort has two main gates, of which the main entry gate (the "Nagar khana") has elaborate architectural features. There are many temples and palaces within the fort and a victory tower. This alternative name is Pusapati.[citation needed] (Full article...)
  • Image 3 Mumbai (Marathi: Mumbaī, pronounced [ˈmumbəi], ⓘ muum-BY), also known as Bombay (/bɒmˈbeɪj/ BOMB-BAY; its official name until 1995), is the capital city of the Indian state of Maharashtra. Mumbai is the financial capital and the most populous city proper of India with an estimated population of 12.5 million (1.25 crore). Mumbai is the centre of the Mumbai Metropolitan Region, the sixth-most populous metropolitan area in the world with a population of over 23 million (2.3 crore). Mumbai lies on the Konkan coast on the west coast of India and has a deep natural harbour. In 2008, Mumbai was named an alpha world city. Mumbai has the highest number of billionaires out of any city in Asia. The seven islands that constitute Mumbai were earlier home to communities of Marathi language-speaking Koli people. For centuries, the seven islands of Bombay were under the control of successive indigenous rulers before being ceded to the Portuguese Empire, and subsequently to the East India Company in 1661, as part of the dowry of Catherine of Braganza in her marriage to Charles II of England. Beginning in 1782, Mumbai was reshaped by the Hornby Vellard project, which undertook reclamation of the area between the seven islands from the Arabian Sea. Along with the construction of major roads and railways, the reclamation project, completed in 1845, transformed Mumbai into a major seaport on the Arabian Sea. Mumbai in the 19th century was characterised by economic and educational development. During the early 20th century it became a strong base for the Indian independence movement. Upon India's independence in 1947 the city was incorporated into Bombay State. In 1960, following the Samyukta Maharashtra Movement, a new state of Maharashtra was created with Mumbai as the capital. (Full article...)

    Mumbai (Marathi: Mumbaī, pronounced [ˈmumbəi], ⓘ muum-BY), also known as Bombay (/bɒmˈbeɪj/ BOMB-BAY; its official name until 1995), is the capital city of the Indian state of Maharashtra. Mumbai is the financial capital and the most populous city proper of India with an estimated population of 12.5 million (1.25 crore). Mumbai is the centre of the Mumbai Metropolitan Region, the sixth-most populous metropolitan area in the world with a population of over 23 million (2.3 crore). Mumbai lies on the Konkan coast on the west coast of India and has a deep natural harbour. In 2008, Mumbai was named an alpha world city. Mumbai has the highest number of billionaires out of any city in Asia.

    The seven islands that constitute Mumbai were earlier home to communities of Marathi language-speaking Koli people. For centuries, the seven islands of Bombay were under the control of successive indigenous rulers before being ceded to the Portuguese Empire, and subsequently to the East India Company in 1661, as part of the dowry of Catherine of Braganza in her marriage to Charles II of England. Beginning in 1782, Mumbai was reshaped by the Hornby Vellard project, which undertook reclamation of the area between the seven islands from the Arabian Sea. Along with the construction of major roads and railways, the reclamation project, completed in 1845, transformed Mumbai into a major seaport on the Arabian Sea. Mumbai in the 19th century was characterised by economic and educational development. During the early 20th century it became a strong base for the Indian independence movement. Upon India's independence in 1947 the city was incorporated into Bombay State. In 1960, following the Samyukta Maharashtra Movement, a new state of Maharashtra was created with Mumbai as the capital. (Full article...)
  • Image 4 Idries Shah (/ˈɪdrɪs ˈʃɑː/; Hindi: इदरीस शाह, Pashto: ادريس شاه, Urdu: ادریس شاه; 16 June 1924 – 23 November 1996), also known as Idris Shah, Indries Shah, né Sayed Idries el-Hashimi (Arabic: سيد إدريس هاشمي) and by the pen name Arkon Daraul, was an Afghan author, thinker and teacher in the Sufi tradition. Shah wrote over three dozen books on topics ranging from psychology and spirituality to travelogues and culture studies. Born in British India, the descendant of a family of Afghan nobles on his father's side and a Scottish mother, Shah grew up mainly in England. His early writings centred on magic and witchcraft. In 1960 he established a publishing house, Octagon Press, producing translations of Sufi classics as well as titles of his own. His seminal work was The Sufis, which appeared in 1964 and was well received internationally. In 1965, Shah founded the Institute for Cultural Research, a London-based educational charity devoted to the study of human behaviour and culture. A similar organisation, the Institute for the Study of Human Knowledge (ISHK), was established in the United States under the directorship of Stanford University psychology professor Robert Ornstein, whom Shah appointed as his deputy in the U.S. (Full article...)

    Idries Shah (/ˈɪdrɪs ˈʃɑː/; Hindi: इदरीस शाह, Pashto: ادريس شاه, Urdu: ادریس شاه; 16 June 1924 – 23 November 1996), also known as Idris Shah, Indries Shah, né Sayed Idries el-Hashimi (Arabic: سيد إدريس هاشمي) and by the pen name Arkon Daraul, was an Afghan author, thinker and teacher in the Sufi tradition. Shah wrote over three dozen books on topics ranging from psychology and spirituality to travelogues and culture studies.

    Born in British India, the descendant of a family of Afghan nobles on his father's side and a Scottish mother, Shah grew up mainly in England. His early writings centred on magic and witchcraft. In 1960 he established a publishing house, Octagon Press, producing translations of Sufi classics as well as titles of his own. His seminal work was The Sufis, which appeared in 1964 and was well received internationally. In 1965, Shah founded the Institute for Cultural Research, a London-based educational charity devoted to the study of human behaviour and culture. A similar organisation, the Institute for the Study of Human Knowledge (ISHK), was established in the United States under the directorship of Stanford University psychology professor Robert Ornstein, whom Shah appointed as his deputy in the U.S. (Full article...)
  • Image 5 Near the Saaler Bodden, Germany The grey heron (Ardea cinerea) is a long-legged wading bird of the heron family, Ardeidae, native throughout temperate Europe and Asia, and also parts of Africa. It is resident in much of its range, but some populations from the more northern parts migrate southwards in autumn. A bird of wetland areas, it can be seen around lakes, rivers, ponds, marshes and on the sea coast. It feeds mostly on aquatic creatures which it catches after standing stationary beside or in the water, or stalking its prey through the shallows. Standing up to 1 metre (3 ft 3 in) tall, adults weigh from 1 to 2 kg (2 to 4 lb). They have a white head and neck with a broad black stripe that extends from the eye to the black crest. The body and wings are grey above and the underparts are greyish-white, with some black on the flanks. The long, sharply pointed beak is pinkish-yellow and the legs are brown. (Full article...)

    Near the Saaler Bodden, Germany

    The grey heron (Ardea cinerea) is a long-legged wading bird of the heron family, Ardeidae, native throughout temperate Europe and Asia, and also parts of Africa. It is resident in much of its range, but some populations from the more northern parts migrate southwards in autumn. A bird of wetland areas, it can be seen around lakes, rivers, ponds, marshes and on the sea coast. It feeds mostly on aquatic creatures which it catches after standing stationary beside or in the water, or stalking its prey through the shallows.

    Standing up to 1 metre (3 ft 3 in) tall, adults weigh from 1 to 2 kg (2 to 4 lb). They have a white head and neck with a broad black stripe that extends from the eye to the black crest. The body and wings are grey above and the underparts are greyish-white, with some black on the flanks. The long, sharply pointed beak is pinkish-yellow and the legs are brown. (Full article...)
  • Image 6 Districts affected by the attacks.   Udupi district   Chikkamagaluru district   Dakshina Kannada district. The 2008 attacks on Christians in southern Karnataka were the wave of attacks directed against Christian churches and prayer halls in the Indian city of Mangalore and the surrounding area of southern Karnataka in September and October 2008 by Hindu nationalist organisations such as Bajrang Dal and Sri Ram Sena. The attacks were widely perceived by Christians in southern Karnataka to be revenge from right-wing Hindu nationalist organisations, because Mangalorean Christians had been outspoken about the 2008 anti-Christian attacks in Orissa. On 29 August, many groups across India participated in a "prayer for peace and communal harmony" in response to ongoing anti-Christian violence in Orissa. St Aloysius College and around 2000 Christian schools in Karnataka went on strike on 29 August, protesting against the attacks in Orissa. This was in defiance of orders of the government that 29 August was to be a regular work day. The BJP administration of Karnataka denounced local Christian institutions for disobeying orders in response, and a Bajrang Dal demonstration was held outside St Aloysius College. Strikes and protests continued for the next two weeks. The main attacks began on 14 September, when a group of youths from the Bajrang Dal went inside the chapel of Adoration Monastery of the Sisters of St Clare near the Milagres Church in Hampankatta and desecrated it. Some 20 churches, temples, and halls belonging to Catholic, Protestant, Jehovah's Witness, and independent Christians were attacked. Christian buildings were damaged across Mangalore taluk, Dakshina Kannada, Udupi and Chikkamagaluru districts. A few Christian institutions were later attacked in Bangalore district and Kasaragod district. (Full article...)

    Districts affected by the attacks.

      Udupi district   Chikkamagaluru district

      Dakshina Kannada district.

    The 2008 attacks on Christians in southern Karnataka were the wave of attacks directed against Christian churches and prayer halls in the Indian city of Mangalore and the surrounding area of southern Karnataka in September and October 2008 by Hindu nationalist organisations such as Bajrang Dal and Sri Ram Sena. The attacks were widely perceived by Christians in southern Karnataka to be revenge from right-wing Hindu nationalist organisations, because Mangalorean Christians had been outspoken about the 2008 anti-Christian attacks in Orissa.

    On 29 August, many groups across India participated in a "prayer for peace and communal harmony" in response to ongoing anti-Christian violence in Orissa. St Aloysius College and around 2000 Christian schools in Karnataka went on strike on 29 August, protesting against the attacks in Orissa. This was in defiance of orders of the government that 29 August was to be a regular work day. The BJP administration of Karnataka denounced local Christian institutions for disobeying orders in response, and a Bajrang Dal demonstration was held outside St Aloysius College. Strikes and protests continued for the next two weeks. The main attacks began on 14 September, when a group of youths from the Bajrang Dal went inside the chapel of Adoration Monastery of the Sisters of St Clare near the Milagres Church in Hampankatta and desecrated it. Some 20 churches, temples, and halls belonging to Catholic, Protestant, Jehovah's Witness, and independent Christians were attacked. Christian buildings were damaged across Mangalore taluk, Dakshina Kannada, Udupi and Chikkamagaluru districts. A few Christian institutions were later attacked in Bangalore district and Kasaragod district. (Full article...)
  • Image 7 From top: Ramanathaswamy Temple tower, Pamban Bridge, and a set of fishing boats. Rameswaram (IPA: [ɾaːmeːsʋaɾam]; also transliterated as Ramesvaram, Rameshwaram) is a municipality in the Ramanathapuram district of the Indian state of Tamil Nadu. It is on Pamban Island separated from mainland India by the Pamban channel and is about 40 kilometres (25 mi) from Mannar Island, Sri Lanka. It is in the Gulf of Mannar, at the tip of the Indian peninsula. Pamban Island, also known as Rameswaram Island, is connected to mainland India by the New Pamban Bridge. Rameswaram is the terminus of the railway line from Chennai and Madurai. Together with Varanasi, it is considered to be one of the holiest places in India for Hindus and is part of the Char Dham pilgrimage. According to the Ramayana, Rama is described to have built a bridge from the vicinity of this town across the sea to Lanka to rescue his wife Sita from her abductor Ravana. The temple, dedicated to the Hindu god Shiva, is at the centre of the town and is closely associated with Rama and Shiva. The temple and the town are considered a holy pilgrimage site for Shaivas and Vaishnavas. (Full article...)

    From top: Ramanathaswamy Temple tower, Pamban Bridge, and a set of fishing boats.

    Rameswaram (IPA: [ɾaːmeːsʋaɾam]; also transliterated as Ramesvaram, Rameshwaram) is a municipality in the Ramanathapuram district of the Indian state of Tamil Nadu. It is on Pamban Island separated from mainland India by the Pamban channel and is about 40 kilometres (25 mi) from Mannar Island, Sri Lanka. It is in the Gulf of Mannar, at the tip of the Indian peninsula. Pamban Island, also known as Rameswaram Island, is connected to mainland India by the New Pamban Bridge. Rameswaram is the terminus of the railway line from Chennai and Madurai. Together with Varanasi, it is considered to be one of the holiest places in India for Hindus and is part of the Char Dham pilgrimage.

    According to the Ramayana, Rama is described to have built a bridge from the vicinity of this town across the sea to Lanka to rescue his wife Sita from her abductor Ravana. The temple, dedicated to the Hindu god Shiva, is at the centre of the town and is closely associated with Rama and Shiva. The temple and the town are considered a holy pilgrimage site for Shaivas and Vaishnavas. (Full article...)
  • Image 8 The 2008 Indian Premier League final was a day/night Twenty20 cricket match played between the Rajasthan Royals and the Chennai Super Kings on 1 June 2008 at the DY Patil Stadium, Navi Mumbai to determine the winner of the 2008 Indian Premier League, a professional Twenty20 cricket league in India. It ended as the Royals defeated the Super Kings by three wickets. The Royals, captained by Shane Warne, topped the group stage table, whereas the Super Kings, led by Mahendra Singh Dhoni, stood at the third position. They had defeated the Delhi Daredevils and the Kings XI Punjab respectively in the semi-finals. (Full article...)
    The 2008 Indian Premier League final was a day/night Twenty20 cricket match played between the Rajasthan Royals and the Chennai Super Kings on 1 June 2008 at the DY Patil Stadium, Navi Mumbai to determine the winner of the 2008 Indian Premier League, a professional Twenty20 cricket league in India. It ended as the Royals defeated the Super Kings by three wickets.

    The Royals, captained by Shane Warne, topped the group stage table, whereas the Super Kings, led by Mahendra Singh Dhoni, stood at the third position. They had defeated the Delhi Daredevils and the Kings XI Punjab respectively in the semi-finals. (Full article...)
  • Image 9 Kumbalangi Nights (transl. Nights of Kumbalangi) is a 2019 Indian Malayalam-language romantic comedy drama film directed by Madhu C. Narayanan. The directorial debut was written by Syam Pushkaran and jointly produced by Fahadh Faasil and Nazriya Nazim under their production house Fahadh Faasil and Friends, in association with Dileesh Pothan and Syam Pushkaran under Working Class Hero. The film stars Soubin Shahir, Shane Nigam, Fahadh Faasil and Sreenath Bhasi, along with debutants Anna Ben, Grace Antony and Mathew Thomas in pivotal roles. The cinematography and editing were handled by Shyju Khalid and Saiju Sreedharan, respectively. The soundtrack and background score is composed by Sushin Shyam. Set in the eponymous fishing village of Kumbalangi in Kochi, Kerala, the film centres on the strained relationship between four brothers living together in a dysfunctional home, and how they ultimately stand up for each other as a family. Pushkaran came up with the idea for the film based on the time he spent in the village in his twenties. In 2011, he discussed the story with then-assistant director Narayanan, who decided to make his directorial debut with it. By 2016, Faasil and Pothan, both of whom had worked closely with Narayanan and Pushkaran on previous films, had agreed to co-produce the film. Narayanan then spent a year in Kumbalangi to understand its culture better, before shooting began in September 2018. (Full article...)
    Kumbalangi Nights (transl. Nights of Kumbalangi) is a 2019 Indian Malayalam-language romantic comedy drama film directed by Madhu C. Narayanan. The directorial debut was written by Syam Pushkaran and jointly produced by Fahadh Faasil and Nazriya Nazim under their production house Fahadh Faasil and Friends, in association with Dileesh Pothan and Syam Pushkaran under Working Class Hero. The film stars Soubin Shahir, Shane Nigam, Fahadh Faasil and Sreenath Bhasi, along with debutants Anna Ben, Grace Antony and Mathew Thomas in pivotal roles. The cinematography and editing were handled by Shyju Khalid and Saiju Sreedharan, respectively. The soundtrack and background score is composed by Sushin Shyam.

    Set in the eponymous fishing village of Kumbalangi in Kochi, Kerala, the film centres on the strained relationship between four brothers living together in a dysfunctional home, and how they ultimately stand up for each other as a family. Pushkaran came up with the idea for the film based on the time he spent in the village in his twenties. In 2011, he discussed the story with then-assistant director Narayanan, who decided to make his directorial debut with it. By 2016, Faasil and Pothan, both of whom had worked closely with Narayanan and Pushkaran on previous films, had agreed to co-produce the film. Narayanan then spent a year in Kumbalangi to understand its culture better, before shooting began in September 2018. (Full article...)
  • Image 10 Devotees pulling the Chariot Thiruvarur (Tamil: [t̪iɾuʋaːɾuːɾ]) also spelt as Tiruvarur is a municipality in the Indian state of Tamil Nadu. It is the administrative headquarters of Thiruvarur district and Thiruvarur taluk. The temple chariot of the Thyagaraja temple, weighing 360 tonnes (790,000 lb) and measuring 96 feet (29 m) tall is the largest temple chariot in India. Thiruvarur is the birthplace of Tyagaraja, Muthuswami Dikshitar and Syama Sastri, popularly known as the Trinity of Carnatic music of the 18th century CE. Thiruvarur Thiyagarajaa Swaamy temple is older than Tanjore big temple. Thiruvarur was a part of Thanjavur district until 1991. The Odambokki river passes through the centre of the town. Thiruvarur covers an area of 10.47 km2 (4.04 sq mi) and had a population of 58,301 as of 2011. Out of total population of Tiruvarur, 1,403,348 in the district, 257,795 are in urban area and 1,006,482 are in rural area. 65,220 households are in urban, 261,999 are in rural area. It is administered by a selection grade municipality. The town is a part of the Cauvery delta region and agriculture is the major occupation. Roadways are the major means of transportation with a total of 94.06 km (58.45 mi) of district roads including three national highways passing through the town. The town was one of the five traditional capitals of the Chola empire, with one of the emperors of the dynasty, Kulothunga Chola I, having it as his capital. The town is believed to be of significant antiquity and has been ruled, at different times, by the Medieval Cholas, Later Cholas, Later Pandyas, Vijayanagar Empire, Thanjavur Nayaks, Marathas and the British. The town is known for the Thyagaraja temple, and the annual Asian biggest chariot festival held in the month of April. (Full article...)

    Devotees pulling the Chariot

    Thiruvarur (Tamil: [t̪iɾuʋaːɾuːɾ]) also spelt as Tiruvarur is a municipality in the Indian state of Tamil Nadu. It is the administrative headquarters of Thiruvarur district and Thiruvarur taluk. The temple chariot of the Thyagaraja temple, weighing 360 tonnes (790,000 lb) and measuring 96 feet (29 m) tall is the largest temple chariot in India. Thiruvarur is the birthplace of Tyagaraja, Muthuswami Dikshitar and Syama Sastri, popularly known as the Trinity of Carnatic music of the 18th century CE. Thiruvarur Thiyagarajaa Swaamy temple is older than Tanjore big temple.

    Thiruvarur was a part of Thanjavur district until 1991. The Odambokki river passes through the centre of the town. Thiruvarur covers an area of 10.47 km2 (4.04 sq mi) and had a population of 58,301 as of 2011. Out of total population of Tiruvarur, 1,403,348 in the district, 257,795 are in urban area and 1,006,482 are in rural area. 65,220 households are in urban, 261,999 are in rural area. It is administered by a selection grade municipality. The town is a part of the Cauvery delta region and agriculture is the major occupation. Roadways are the major means of transportation with a total of 94.06 km (58.45 mi) of district roads including three national highways passing through the town. The town was one of the five traditional capitals of the Chola empire, with one of the emperors of the dynasty, Kulothunga Chola I, having it as his capital. The town is believed to be of significant antiquity and has been ruled, at different times, by the Medieval Cholas, Later Cholas, Later Pandyas, Vijayanagar Empire, Thanjavur Nayaks, Marathas and the British. The town is known for the Thyagaraja temple, and the annual Asian biggest chariot festival held in the month of April. (Full article...)
  • Image 11 Flag of the Field Marshal Field marshal (abbreviated as FM) is a five–star officer rank and the highest attainable rank in the Indian Army. Field marshal ranks immediately above general, but is not in use in the army's current structure. Awarded only twice, field marshal is a rank bestowed on generals for ceremonial purposes or during times of war. Sam Manekshaw was the first field marshal of the Indian Army, and was promoted on 1 January 1973. The second was Kodandera M. Cariappa, who was promoted to the rank on 15 January 1986. (Full article...)

    Flag of the Field Marshal

    Field marshal (abbreviated as FM) is a five–star officer rank and the highest attainable rank in the Indian Army. Field marshal ranks immediately above general, but is not in use in the army's current structure. Awarded only twice, field marshal is a rank bestowed on generals for ceremonial purposes or during times of war.

    Sam Manekshaw was the first field marshal of the Indian Army, and was promoted on 1 January 1973. The second was Kodandera M. Cariappa, who was promoted to the rank on 15 January 1986. (Full article...)
  • Image 12 Takshaka steals earrings from Uttanaka. Illustrated by Asi in a folio of Razmnama. Uttanka (Sanskrit: उत्तङ्क) is a rishi (sage) featured in Hindu literature. He is described to have resided in the Maru desert. The primary source of this account is found in the Hindu epic Mahabharata. In the earliest version, Uttanka is described as the disciple of the sage Veda. In the second version, his guru is Gautama. In both legends, he is a learned sage who goes through many hurdles in procuring the earrings demanded by his guru's wife as the fee for the teacher (gurudakshina). (Full article...)
    Takshaka steals earrings from Uttanaka. Illustrated by Asi in a folio of Razmnama.


    Uttanka (Sanskrit: उत्तङ्क) is a rishi (sage) featured in Hindu literature. He is described to have resided in the Maru desert. The primary source of this account is found in the Hindu epic Mahabharata.

    In the earliest version, Uttanka is described as the disciple of the sage Veda. In the second version, his guru is Gautama. In both legends, he is a learned sage who goes through many hurdles in procuring the earrings demanded by his guru's wife as the fee for the teacher (gurudakshina). (Full article...)
  • Image 13 Vishnu image in Badami cave 3 The Badami cave temples are a complex of Buddhist, Hindu and Jain cave temples located in Badami, a town in the Bagalkot district in northern part of Karnataka, India. The caves are important examples of Indian rock-cut architecture, especially Badami Chalukya architecture, and the earliest date from the 6th century. Badami is a modern name and was previously known as "Vataapi", the capital of the early Chalukya dynasty, which ruled much of Karnataka from the 6th to the 8th century. Badami is situated on the west bank of a man-made lake ringed by an earthen wall with stone steps; it is surrounded on the north and south by forts built during Early Chalukya and in later times. The Badami cave temples represent some of the earliest known examples of Hindu temples in the Deccan region. They along with the temples in Aihole transformed the Mallaprabha River valley into a cradle of temple architecture that influenced the components of later Hindu temples elsewhere in India. (Full article...)

    Vishnu image in Badami cave 3

    The Badami cave temples are a complex of Buddhist, Hindu and Jain cave temples located in Badami, a town in the Bagalkot district in northern part of Karnataka, India. The caves are important examples of Indian rock-cut architecture, especially Badami Chalukya architecture, and the earliest date from the 6th century. Badami is a modern name and was previously known as "Vataapi", the capital of the early Chalukya dynasty, which ruled much of Karnataka from the 6th to the 8th century. Badami is situated on the west bank of a man-made lake ringed by an earthen wall with stone steps; it is surrounded on the north and south by forts built during Early Chalukya and in later times.

    The Badami cave temples represent some of the earliest known examples of Hindu temples in the Deccan region. They along with the temples in Aihole transformed the Mallaprabha River valley into a cradle of temple architecture that influenced the components of later Hindu temples elsewhere in India. (Full article...)
  • Image 14 Verma in November 2014 Sunil Kumar Verma (28 September 1974 - 31 May 2021), was an Indian biologist and a principal scientist at the Centre for Cellular and Molecular Biology, Hyderabad, India. Verma was primarily known for his contributions to the development of "universal primer technology", a first generation DNA barcoding method, that can identify any bird, fish, reptile or mammal from a small biological sample, and satisfy legal evidence requirements in a court of law. This technology has revitalised the field of wildlife forensics and is now routinely used across India to provide a species identification service in cases of wildlife crime. This approach of species identification is now known as "DNA barcoding" across the world. Verma received his D.Phil. in medical oncology from the University of Oxford, and had worked in the areas of signal transduction in cancer and on molecular biology applications in wildlife conservation. He was the recipient of several national awards, including the 2008 CSIR Technology Award, the 2009 NRDC Meritorious Invention Award and the 2009 BioAsia Innovation Award in recognition of his contribution to Indian science and technology. He died on May 31, 2021, due to COVID-19 pneumonia. (Full article...)

    Verma in November 2014

    Sunil Kumar Verma (28 September 1974 - 31 May 2021), was an Indian biologist and a principal scientist at the Centre for Cellular and Molecular Biology, Hyderabad, India. Verma was primarily known for his contributions to the development of "universal primer technology", a first generation DNA barcoding method, that can identify any bird, fish, reptile or mammal from a small biological sample, and satisfy legal evidence requirements in a court of law. This technology has revitalised the field of wildlife forensics and is now routinely used across India to provide a species identification service in cases of wildlife crime. This approach of species identification is now known as "DNA barcoding" across the world.

    Verma received his D.Phil. in medical oncology from the University of Oxford, and had worked in the areas of signal transduction in cancer and on molecular biology applications in wildlife conservation. He was the recipient of several national awards, including the 2008 CSIR Technology Award, the 2009 NRDC Meritorious Invention Award and the 2009 BioAsia Innovation Award in recognition of his contribution to Indian science and technology. He died on May 31, 2021, due to COVID-19 pneumonia. (Full article...)
  • Image 15 Mahadevi Verma (26 March 1907 – 11 September 1987) was an Indian Hindi-language poet, essayist, short story writer, and an eminent personality of Hindi literature. She is considered one of the four major pillars of the Chhayawadi era in Hindi literature. She has also been addressed as the modern Meera. Poet Nirala once called her "Saraswati in the vast temple of Hindi Literature". Verma witnessed India before and after its independence. She was one of those poets who worked for the wider society of India. Her work towards social upliftment and women's welfare was depicted in her writings. These works, especially her anthology Deepshikha, greatly influenced both readers and critics. She developed a soft vocabulary in the Hindi poetry of Khadi Boli, which previously was considered possible only in Braj Bhasha. She was also well-versed in music, and her songs were characterized by a tone that conveyed sharp expressions in a nuanced and euphemistic style. She started her career as a teacher and went on to become the principal of Prayag Mahila Vidyapeeth. Verma chose to live an ascetic life, despite being married. She was also a skilled painter and imaginative translator. She had the rare distinction of receiving all the important awards in Hindi literature. As the most celebrated female writer of the last century, she remained highly revered. Her birth centenary was celebrated in 2007. Later, Google also celebrated this day through its Google Doodle. (Full article...)

    Mahadevi Verma (26 March 1907 – 11 September 1987) was an Indian Hindi-language poet, essayist, short story writer, and an eminent personality of Hindi literature. She is considered one of the four major pillars of the Chhayawadi era in Hindi literature. She has also been addressed as the modern Meera. Poet Nirala once called her "Saraswati in the vast temple of Hindi Literature". Verma witnessed India before and after its independence. She was one of those poets who worked for the wider society of India. Her work towards social upliftment and women's welfare was depicted in her writings. These works, especially her anthology Deepshikha, greatly influenced both readers and critics.

    She developed a soft vocabulary in the Hindi poetry of Khadi Boli, which previously was considered possible only in Braj Bhasha. She was also well-versed in music, and her songs were characterized by a tone that conveyed sharp expressions in a nuanced and euphemistic style. She started her career as a teacher and went on to become the principal of Prayag Mahila Vidyapeeth. Verma chose to live an ascetic life, despite being married. She was also a skilled painter and imaginative translator. She had the rare distinction of receiving all the important awards in Hindi literature. As the most celebrated female writer of the last century, she remained highly revered. Her birth centenary was celebrated in 2007. Later, Google also celebrated this day through its Google Doodle. (Full article...)
  • Image 16 Black Friday is a 2004 Indian Hindi-language crime film written and directed by Anurag Kashyap. Based on Black Friday: The True Story of the Bombay Bomb Blasts, a book by Hussain Zaidi about the 1993 Bombay bombings, it chronicles the events that led to the blasts and the subsequent police investigation. Produced by Arindam Mitra of Mid-Day, the film stars Pawan Malhotra, Kay Kay Menon, Aditya Srivastava, Kishor Kadam and Zakir Hussain. Mitra, director of operations for Mid Day, approached Kashyap with the book and wanted him to write a television series based on it for the Aaj Tak TV news channel. Kashyap wrote the script in episodes for the six-part miniseries but later felt a feature film was more appropriate for the topic. Aaj Tak backed away from the project, and it was shelved. Kashyap then suggested to the director Aditya Bhattacharya that he make it into a film. When Kashyap told him he felt there was a film to be made about the event, Bhattacharya gave it to him to direct. The film's soundtrack album and the background score were composed by the band Indian Ocean, while the lyrics were written by Piyush Mishra. Natarajan Subramaniam served as the director of photography, while Aarti Bajaj was its editor. (Full article...)
    Black Friday is a 2004 Indian Hindi-language crime film written and directed by Anurag Kashyap. Based on Black Friday: The True Story of the Bombay Bomb Blasts, a book by Hussain Zaidi about the 1993 Bombay bombings, it chronicles the events that led to the blasts and the subsequent police investigation. Produced by Arindam Mitra of Mid-Day, the film stars Pawan Malhotra, Kay Kay Menon, Aditya Srivastava, Kishor Kadam and Zakir Hussain.

    Mitra, director of operations for Mid Day, approached Kashyap with the book and wanted him to write a television series based on it for the Aaj Tak TV news channel. Kashyap wrote the script in episodes for the six-part miniseries but later felt a feature film was more appropriate for the topic. Aaj Tak backed away from the project, and it was shelved. Kashyap then suggested to the director Aditya Bhattacharya that he make it into a film. When Kashyap told him he felt there was a film to be made about the event, Bhattacharya gave it to him to direct. The film's soundtrack album and the background score were composed by the band Indian Ocean, while the lyrics were written by Piyush Mishra. Natarajan Subramaniam served as the director of photography, while Aarti Bajaj was its editor. (Full article...)
  • Image 17 Morya Gosavi lithograph Morya Gosavi or Moraya Gosavi (Morayā Gosāvi) alias Moroba Gosavi was a prominent saint of the Hindu Ganapatya sect, which considers Ganesha as the Supreme God. Morya Gosavi is considered the chief spiritual progenitor of the Ganapatyas and has been described as the "most famous devotee" of Ganesha. The lifetime of Morya Gosavi is speculated between the 13th to 17th century. Numerous legends recall his life. Morya became devoted to Ganesha when he started visiting the Morgaon temple of Ganesha. It is believed that due to the hindrance in Morya's services to the god in the popular Ganesha shrine, Ganesha told Morya that he would appear in Chinchwad for Morya to worship, so Morya moved from Morgaon to Chinchwad, where Morya built a Ganesha temple. Consequently, Morya took sanjeevan samadhi by burying himself alive in his tomb. (Full article...)

    Morya Gosavi lithograph

    Morya Gosavi or Moraya Gosavi (Morayā Gosāvi) alias Moroba Gosavi was a prominent saint of the Hindu Ganapatya sect, which considers Ganesha as the Supreme God. Morya Gosavi is considered the chief spiritual progenitor of the Ganapatyas and has been described as the "most famous devotee" of Ganesha.

    The lifetime of Morya Gosavi is speculated between the 13th to 17th century. Numerous legends recall his life. Morya became devoted to Ganesha when he started visiting the Morgaon temple of Ganesha. It is believed that due to the hindrance in Morya's services to the god in the popular Ganesha shrine, Ganesha told Morya that he would appear in Chinchwad for Morya to worship, so Morya moved from Morgaon to Chinchwad, where Morya built a Ganesha temple. Consequently, Morya took sanjeevan samadhi by burying himself alive in his tomb. (Full article...)
  • Image 18 Maitreyi was an Indian philosopher who lived during the later Vedic period in ancient India, estimated to have lived during the 8th century BCE. She is mentioned in the Brihadaranyaka Upanishad as one of two wives of the Vedic sage Yajnavalkya. In the Hindu epic Mahabharata and the Gṛhyasūtras, however, Maitreyi is described as an Advaita philosopher who never married. In ancient Sanskrit literature, she is known as a brahmavadini (an expounder of the Veda). Maitreyi appears in ancient Indian texts, such as in a dialogue where she explores the Hindu concept of Atman (soul or self) in a dialogue with Yajnavalkya in the Brihadaranyaka Upanishad. According to this dialogue, love is driven by a person's soul, and Maitreyi discusses the nature of Atman and Brahman and their unity, the core of Advaita philosophy. This Maitreyi-Yajnavalkya dialogue is the topic of Sureshvara's varttika, a commentary. (Full article...)
    Maitreyi was an Indian philosopher who lived during the later Vedic period in ancient India, estimated to have lived during the 8th century BCE. She is mentioned in the Brihadaranyaka Upanishad as one of two wives of the Vedic sage Yajnavalkya. In the Hindu epic Mahabharata and the Gṛhyasūtras, however, Maitreyi is described as an Advaita philosopher who never married. In ancient Sanskrit literature, she is known as a brahmavadini (an expounder of the Veda).

    Maitreyi appears in ancient Indian texts, such as in a dialogue where she explores the Hindu concept of Atman (soul or self) in a dialogue with Yajnavalkya in the Brihadaranyaka Upanishad. According to this dialogue, love is driven by a person's soul, and Maitreyi discusses the nature of Atman and Brahman and their unity, the core of Advaita philosophy. This Maitreyi-Yajnavalkya dialogue is the topic of Sureshvara's varttika, a commentary. (Full article...)
  • Image 19 Rain water sample (left) and after the particles settled (right). Dried sediment (centre) The Kerala red rain phenomenon was a blood rain event that occurred in Wayanad district of southern Indian state Kerala on Monday, 15 July 1957 and the colour subsequently turned yellow and also 25 July to 23 September 2001, when heavy downpours of red-coloured rain fell sporadically in Kerala, staining clothes pink. Yellow, green and black rain was also reported. Coloured rain was also reported in Kerala in 1896 and several times since, most recently in June 2012, and from 15 November 2012 to 27 December 2012 in eastern and north-central provinces of Sri Lanka. Following a light-microscopy examination in 2001, it was initially thought that the rains were coloured by fallout from a hypothetical meteor burst, but a study commissioned by the Government of India concluded that the rains had been coloured by airborne spores from a locally prolific terrestrial green algae from the genus Trentepohlia. (Full article...)
    Rain water sample (left) and after the particles settled (right). Dried sediment (centre)


    The Kerala red rain phenomenon was a blood rain event that occurred in Wayanad district of southern Indian state Kerala on Monday, 15 July 1957 and the colour subsequently turned yellow and also 25 July to 23 September 2001, when heavy downpours of red-coloured rain fell sporadically in Kerala, staining clothes pink. Yellow, green and black rain was also reported. Coloured rain was also reported in Kerala in 1896 and several times since, most recently in June 2012, and from 15 November 2012 to 27 December 2012 in eastern and north-central provinces of Sri Lanka.

    Following a light-microscopy examination in 2001, it was initially thought that the rains were coloured by fallout from a hypothetical meteor burst, but a study commissioned by the Government of India concluded that the rains had been coloured by airborne spores from a locally prolific terrestrial green algae from the genus Trentepohlia. (Full article...)
  • Image 20 Maheshinte Prathikaaram (transl. Mahesh's Revenge) is a 2016 Indian Malayalam-language comedy drama film directed by Dileesh Pothan, in his directorial debut and produced by Aashiq Abu. The film stars Fahadh Faasil in the title role alongside a supporting cast including Aparna Balamurali, Anusree, Alencier Ley Lopez and Soubin Shahir. Written by Syam Pushkaran, the story is based on an incident in the life of Thampan Purushan from Thuravoor, Cherthala. Shyju Khalid was the film's cinematographer, and the music was composed by Bijibal. Maheshinte Prathikaaram's development began in 2013 when Pothan was working as an associate director for Abu (who was directing Idukki Gold, co-written by Pushkaran). Pushkaran suggested a story idea to Pothan which was based on an incident in his native village. At Pothan's insistence, Pushkaran wrote the screenplay that year and Abu later became interested in producing the film. Production was scheduled to commence from December 2014 after completing the casting process but, due to scheduling conflicts, it was postponed to August 2015. Principal photography began in early August in Idukki and nearby locations, where it was predominantly filmed. Shooting was completed in late October. (Full article...)
    Maheshinte Prathikaaram (transl. Mahesh's Revenge) is a 2016 Indian Malayalam-language comedy drama film directed by Dileesh Pothan, in his directorial debut and produced by Aashiq Abu. The film stars Fahadh Faasil in the title role alongside a supporting cast including Aparna Balamurali, Anusree, Alencier Ley Lopez and Soubin Shahir. Written by Syam Pushkaran, the story is based on an incident in the life of Thampan Purushan from Thuravoor, Cherthala. Shyju Khalid was the film's cinematographer, and the music was composed by Bijibal.

    Maheshinte Prathikaaram's development began in 2013 when Pothan was working as an associate director for Abu (who was directing Idukki Gold, co-written by Pushkaran). Pushkaran suggested a story idea to Pothan which was based on an incident in his native village. At Pothan's insistence, Pushkaran wrote the screenplay that year and Abu later became interested in producing the film. Production was scheduled to commence from December 2014 after completing the casting process but, due to scheduling conflicts, it was postponed to August 2015. Principal photography began in early August in Idukki and nearby locations, where it was predominantly filmed. Shooting was completed in late October. (Full article...)
  • Image 21 S/O Satyamurthy is a 2015 Indian Telugu-language action drama film written and directed by Trivikram Srinivas and produced by S. Radha Krishna under Haarika & Haasine Creations. The film stars Allu Arjun, Upendra, Samantha, Prakash Raj, Nithya Menen, Sneha, and Adah Sharma while Rajendra Prasad, Sampath Raj, Rao Ramesh, Vennela Kishore, Ali, and Brahmanandam play supporting role. The film revolves around three characters; the first follows his heart, the second uses his brain and the third uses his brawn. The first is Viraj Anand, the son of a businessman named Satyamurthy, who gives away his assets to creditors after his father's death. A creditor still owed money is Paida Sambasiva Rao (the second of the three), whose daughter Sameera falls in love with Anand. Sambasiva Rao informs Anand that he has to produce documentation of land sold by Satyamurthy to a landlord, Devaraj Naidu (the third of the three) to marry Sameera. The rest of the film focuses on the consequences faced by Anand and Sambasiva Rao's change in viewpoint toward Satyamurthy. (Full article...)
    S/O Satyamurthy is a 2015 Indian Telugu-language action drama film written and directed by Trivikram Srinivas and produced by S. Radha Krishna under Haarika & Haasine Creations. The film stars Allu Arjun, Upendra, Samantha, Prakash Raj, Nithya Menen, Sneha, and Adah Sharma while Rajendra Prasad, Sampath Raj, Rao Ramesh, Vennela Kishore, Ali, and Brahmanandam play supporting role.

    The film revolves around three characters; the first follows his heart, the second uses his brain and the third uses his brawn. The first is Viraj Anand, the son of a businessman named Satyamurthy, who gives away his assets to creditors after his father's death. A creditor still owed money is Paida Sambasiva Rao (the second of the three), whose daughter Sameera falls in love with Anand. Sambasiva Rao informs Anand that he has to produce documentation of land sold by Satyamurthy to a landlord, Devaraj Naidu (the third of the three) to marry Sameera. The rest of the film focuses on the consequences faced by Anand and Sambasiva Rao's change in viewpoint toward Satyamurthy. (Full article...)
  • Image 22 The supreme God is Shiva, Shiva is Brahman, Brahman is Atman, Know your Atman, Know yourself to be that Brahman, states the Kaivalya Upanishad The Kaivalya Upanishad (Sanskrit: कैवल्य उपनिषद्) is an ancient Sanskrit text and one of the minor Upanishads of Hinduism. It is classified as a Shaiva Upanishad, and survives into modern times in two versions, one attached to the Krishna Yajurveda and other attached to the Atharvaveda. It is, as an Upanishad, a part of the corpus of Vedanta literature collection that presents the philosophical concepts of Hinduism. The Upanishad extols Shiva, aloneness and renunciation, describes the inner state of man in his personal spiritual journey detached from the world. The text is notable for presenting Shaivism in Vedanta, discussing Atman (Self) and its relation to Brahman, and Self-knowledge as the path to kaivalya (liberation). (Full article...)

    The supreme God is Shiva, Shiva is Brahman, Brahman is Atman, Know your Atman, Know yourself to be that Brahman, states the Kaivalya Upanishad

    The Kaivalya Upanishad (Sanskrit: कैवल्य उपनिषद्) is an ancient Sanskrit text and one of the minor Upanishads of Hinduism. It is classified as a Shaiva Upanishad, and survives into modern times in two versions, one attached to the Krishna Yajurveda and other attached to the Atharvaveda. It is, as an Upanishad, a part of the corpus of Vedanta literature collection that presents the philosophical concepts of Hinduism.

    The Upanishad extols Shiva, aloneness and renunciation, describes the inner state of man in his personal spiritual journey detached from the world. The text is notable for presenting Shaivism in Vedanta, discussing Atman (Self) and its relation to Brahman, and Self-knowledge as the path to kaivalya (liberation). (Full article...)
  • Image 23 The Bharat Ratna (Hindi pronunciation: [bʱaːɾət̪ ɾət̪n̪ə]; lit. 'Jewel of India') is the highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is conferred in recognition of "exceptional service/performance of the highest order", without distinction of race, occupation, position or gender. The award was originally limited to achievements in the arts, literature, science, and public services, but the Government of India expanded the criteria to include "any field of human endeavor" in December 2011. The recommendations for the award are made by the Prime Minister to the President. The recipients receive a Sanad (certificate) signed by the President and a peepal leaf-shaped medallion. Bharat Ratna recipients rank seventh in the Indian order of precedence. The first recipients of the Bharat Ratna were: the former Governor-General of the Union of India C. Rajagopalachari, the former President of the Republic of India Sarvepalli Radhakrishnan; and the Indian physicist C. V. Raman, who were honoured in 1954. Since then, the award has been bestowed upon 53 individuals, including 18 who were awarded posthumously. The original statutes did not provide for posthumous awards but were amended in January 1966 to permit them to honor former Prime Minister Lal Bahadur Shastri, the first individual to be honored posthumously. In 2014, cricketer Sachin Tendulkar, then aged 40, became the youngest recipient, while social reformer Dhondo Keshav Karve was the oldest recipient when he was awarded on his 100th birthday. Though usually conferred on India-born citizens, the award has been conferred on one naturalized citizen, Mother Teresa, and on two non-Indians: Abdul Ghaffar Khan (born in British India and later a citizen of Pakistan) and Nelson Mandela, a citizen of South Africa. (Full article...)

    The Bharat Ratna (Hindi pronunciation: [bʱaːɾət̪ ɾət̪n̪ə]; lit. 'Jewel of India') is the highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is conferred in recognition of "exceptional service/performance of the highest order", without distinction of race, occupation, position or gender. The award was originally limited to achievements in the arts, literature, science, and public services, but the Government of India expanded the criteria to include "any field of human endeavor" in December 2011. The recommendations for the award are made by the Prime Minister to the President. The recipients receive a Sanad (certificate) signed by the President and a peepal leaf-shaped medallion. Bharat Ratna recipients rank seventh in the Indian order of precedence.

    The first recipients of the Bharat Ratna were: the former Governor-General of the Union of India C. Rajagopalachari, the former President of the Republic of India Sarvepalli Radhakrishnan; and the Indian physicist C. V. Raman, who were honoured in 1954. Since then, the award has been bestowed upon 53 individuals, including 18 who were awarded posthumously. The original statutes did not provide for posthumous awards but were amended in January 1966 to permit them to honor former Prime Minister Lal Bahadur Shastri, the first individual to be honored posthumously. In 2014, cricketer Sachin Tendulkar, then aged 40, became the youngest recipient, while social reformer Dhondo Keshav Karve was the oldest recipient when he was awarded on his 100th birthday. Though usually conferred on India-born citizens, the award has been conferred on one naturalized citizen, Mother Teresa, and on two non-Indians: Abdul Ghaffar Khan (born in British India and later a citizen of Pakistan) and Nelson Mandela, a citizen of South Africa. (Full article...)
  • Image 24 India participated at the 2018 Winter Olympics in Pyeongchang, South Korea, held between 9 and 25 February 2018. The country's participation in Pyeongchang marked its tenth appearance at the Winter Olympics since its debut in 1964. The Indian team consisted of alpine skier Jagadish Singh and luger Shiva Keshavan, who was the country's flag-bearer during the opening ceremony. Both of them did not win a medal, and as of these Games, India had not earned a Winter Olympic medal. A volunteer served as the flag-bearer during the closing ceremony. (Full article...)
    India participated at the 2018 Winter Olympics in Pyeongchang, South Korea, held between 9 and 25 February 2018. The country's participation in Pyeongchang marked its tenth appearance at the Winter Olympics since its debut in 1964.

    The Indian team consisted of alpine skier Jagadish Singh and luger Shiva Keshavan, who was the country's flag-bearer during the opening ceremony. Both of them did not win a medal, and as of these Games, India had not earned a Winter Olympic medal. A volunteer served as the flag-bearer during the closing ceremony. (Full article...)
  • Image 25 Network18 Media & Investments Limited, (d/b/a Network18 Group) is an Indian media conglomerate owned by the Reliance Industries, headed by Mukesh Ambani. Rahul Joshi is the managing director, chief executive officer and group editor-in-chief, and Adil Zainulbhai is the chairman of its board of directors. Through its subsidiaries and franchise licensing agreements, the group owns and operates the news broadcasting networks of News18, and CNBC channels in India, the magazines of Forbes India and Overdrive, the websites of Firstpost and Moneycontrol,. It also operates the television networks of Colors TV, Nickelodeon India, Comedy Central India, VH1 India, MTV India and the channel History TV18. (Full article...)
    Network18 Media & Investments Limited, (d/b/a Network18 Group) is an Indian media conglomerate owned by the Reliance Industries, headed by Mukesh Ambani. Rahul Joshi is the managing director, chief executive officer and group editor-in-chief, and Adil Zainulbhai is the chairman of its board of directors.

    Through its subsidiaries and franchise licensing agreements, the group owns and operates the news broadcasting networks of News18, and CNBC channels in India, the magazines of Forbes India and Overdrive, the websites of Firstpost and Moneycontrol,. It also operates the television networks of Colors TV, Nickelodeon India, Comedy Central India, VH1 India, MTV India and the channel History TV18. (Full article...)
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3 May 2025 –
Six people are killed and about 80 others are injured, including five critically, in a crowd crush during a Hindu temple festival in North Goa district, Goa, India. (Al Jazeera English)
29 April 2025 – Kashmir conflict
2025 India–Pakistan border skirmishes
Pakistani Information Minister Attaullah Tarar says that India intends to launch a military strike on Pakistan within the next 24 to 36 hours. (Reuters)
29 April 2025 –
Fifteen people are killed, including two children, and thirteen others are injured in a fire at a hotel in Kolkata, West Bengal, India. (Business Standard) (The Telegraph)
28 April 2025 – Kashmir conflict
2025 India–Pakistan border skirmishes

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